Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
704
Francesco Bartolozzi, 1728–1815
Sleeping Child
c.1785
705
Francesco Bartolozzi, 1728–1815
George Augustus Elliot, Lord Heathfield, Governer Of Gibralter
1788
706
Francesco Bartolozzi, 1728–1815
The Choice Of Hercules
undated
707
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness Of Halifax
1776
708
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
709
Francesco Bartolozzi, 1728–1815
Shrimps!
1782
710
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
711
Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
712
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
713
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Hannah Sparke, Widow
1785
714
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
715
Francesco Bartolozzi, 1728–1815
The Happy Father
1785
716
Francesco Bartolozzi, 1728–1815
Neptune And Galatea Riding In A Shell, Driven By Dolphins
1787
717
Francesco Bartolozzi, 1728–1815
Per Impegno, Per Sorza E Con Dispetto Cantatrice Gentil Studia La Parte: L'Assiste Il Protettor, Ma Men Dell'Arte, Che Della Sua Belta' Prende Diletto
718
Print made by Richard Earlom, 1743–1822
Sensibility
1789
719
Print made by Richard Earlom, 1743–1822
Sensibility
1789
720
Francesco Bartolozzi, 1728–1815
Richard Wynne
undated
721
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
722
Francesco Bartolozzi, 1728–1815
King Henry VIII With Will Sommers, Edward VI, Mary I, and Elizabeth I
1800
723
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
724
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
725
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
726
Francesco Bartolozzi, 1728–1815
...Tu Sola Animos, Mentemque Peruris Gloria, Te Viriden Violet, Immunemque Senectae
undated
727
Francesco Bartolozzi, 1728–1815
Mary Queen Of Scots
1779
728
Francesco Bartolozzi, 1728–1815
Her Royal Highness Caroline Princess Of Wales And The Princess Charlotte
1799
729
Francesco Bartolozzi, 1728–1815
Memorial To The Children Of James And Mary Woodmason
1798
730
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
731
Francesco Bartolozzi, 1728–1815
Cordelia
1784
732
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
733
Francesco Bartolozzi, 1728–1815
Psyche Going To Dress
1786
734
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
735
Francesco Bartolozzi, 1728–1815
Thais
1792
736
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
737
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
738
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
739
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
740
Francesco Bartolozzi, 1728–1815
Nymphs after Bathing
1786
741
Francesco Bartolozzi, 1728–1815
Corilla Olympica Poetria Etrusca
ca.1765
742
Print made by Richard Earlom, 1743–1822
Giovanni Battista Cipriani, Esqr. R. A
1789
743
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
744
Francesco Bartolozzi, 1728–1815
Cupids With Bow, Arrow And A Target Board
ca.1795
745
Francesco Bartolozzi, 1728–1815
Two Putti, One Drawing The Other
undated
746
Francesco Bartolozzi, 1728–1815
Young Girl With A Mouse On A String Teasing A Cat
1782
747
Francesco Bartolozzi, 1728–1815
Cherub Holding A Laurel Wreath
1793
748
Francesco Bartolozzi, 1728–1815
Acer Amor Fractas Utinam Tua Tela Sagittas, Scilicet Extinctas Aspiciamque Faces
undated
749
Francesco Bartolozzi, 1728–1815
The Fair Alsacien
1779
750
Francesco Bartolozzi, 1728–1815
The Distressed Mother
1785
751
Francesco Bartolozzi, 1728–1815
The Distinguishing Characteristic of Masonry
1802
752
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
753
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
754
Francesco Bartolozzi, 1728–1815
The Rural Italian's Wedding
1775
755
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
756
Francesco Bartolozzi, 1728–1815
Reapers
1790
757
James Heath, 1757–1834
Rev. William Cooper
undated
758
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
759
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
760
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
761
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
762
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
763
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
764
James Fittler, 1758–1835
Mail Coach
ca. 1787
765
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
766
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
767
Sir George Hayter, 1792–1871
Sir George Hayter
1822
768
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
769
Francesco Bartolozzi, 1728–1815
Adelaide
1798
770
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
771
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
772
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
773
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
774
Print made by Francesco Bartolozzi, 1728–1815
Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c
1781
775
Print made by Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
776
Print made by William Baillie, 1723–1810
Captain William Baillie
between 1750 and 1810
777
John Romney, 1786–1863
Francesco Bartolozzi, Esqr. R.A
1795
778
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
779
Thomas Harland, active early 19th century
Charles Barry
undated
780
Print made by James Heath, 1757–1834
James Barry, Esq
after 1806
781
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence
1810
782
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
783
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
784
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
785
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
786
Francesco Bartolozzi, 1728–1815
Fonrose
1798
787
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
788
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
789
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
790
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
791
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
792
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
793
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
794
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Guadagni
1767
795
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
796
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
797
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
798
Samuel Freeman, 1773–1857
Samuel Johnson
1812
799
John Scott, 1774–1828
Samuel Johnson
1813
800
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens