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Materials & Techniques soft-ground etching

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Genre landscape

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1. Marlow, Bucks

Marlow, Bucks
Creator:
unknown artist
Date:
1805
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 5/16 × 10 1/16 inches (16.1 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Narcissus and Echo

Narcissus and Echo
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Frame:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cader Idris

Cader Idris
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1824 and 1830
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Castle Above a Rocky Gorge

Castle Above a Rocky Gorge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, blue wove paper
Dimensions:
Sheet: 7 1/16 x 8 15/16 inches (17.9 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of a Lake, Derwentwater

View of a Lake, Derwentwater
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 15 3/4 inches (30.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Bridge

A Bridge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 6 15/16 inches (23.3 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Tan-y-Bwlch, Merionethshire, North Wales

Tan-y-Bwlch, Merionethshire, North Wales
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1810 and 1817
Materials & Techniques:
Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:
Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Castle Above a Waterfall

Castle Above a Waterfall
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Coastal Scene

Coastal Scene
Creator:
Jonathan Girtin, ca.1780–aft.1820
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 3/8 inches (23.7 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. The School-Boy

The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. St. Osyth Mill Warf

St. Osyth Mill Warf
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1902
Materials & Techniques:
Soft-ground etching with pen and graphite, trial proof on laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

17. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching; etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A View of the East India Docks

A View of the East India Docks
Creator:
William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Harvest Moon

The Harvest Moon
Creator:
Print made by Charles Henry Baskett, 1872–1953
Date:
between 1910 and 1913
Materials & Techniques:
Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper laid on mount
Dimensions:
Sheet: 9 15/16 x 13 7/8 inches (25.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Emerson Tuttle

22. Landscape with Cottages

Landscape with Cottages
Creator:
Print made by François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Soft-ground etching with gray wash and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 3/8 x 9 15/16 inches (18.8 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Lydia Evans Tunnard

23. The Black Tower Norwich

The Black Tower Norwich
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Flight from Belgium

The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952
Date:
1914
Materials & Techniques:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Ariccia

Ariccia
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
between 1783 and 1789
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Palm

Palm
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Elm

Elm
Creator:
John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Oak

Oak
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Willow

Willow
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Spruce Fir

Spruce Fir
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. The Waterworks at Marli; and St. German en Laye seen in the distance

The Waterworks at Marli; and St. German en Laye seen in the distance
Creator:
Richard Banks Harraden, 1778–1862
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Waterworks at Marli; and St. Germain en Laye seen in the distance

The Waterworks at Marli; and St. Germain en Laye seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Water Mill above the Bridge at Charenton

The Water Mill above the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Cottage and Two Cows Being Milked

Cottage and Two Cows Being Milked
Creator:
Print formerly attributed to Thomas Girtin, 1775–1802
Date:
1805
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/4 × 9 13/16 inches (15.8 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. XLIX

XLIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. VIII

VIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A Moonlit Landscape with Cattle by a Pool

A Moonlit Landscape with Cattle by a Pool
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. Aspin

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Weeping Willows

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. Cedar

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Italian Pine and Cypress

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Birch

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Hawthorn

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/8 inches (36.5 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. Beech

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Horse Chestnut

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. Poplar

No cover image available
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund