Materials & Techniques: scratching out / Height [cm]: 30 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques scratching out

Height [cm] 30

1. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Fluelen: Morning (Looking towards the Lake)

Fluelen: Morning (Looking towards the Lake)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1845
Materials & Techniques:: Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. St. Catherine's Hill, Guildford, Surrey

St. Catherine's Hill, Guildford, Surrey

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, graphite, scraping out and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Scarborough: Shipwreck at the Foot of the Castle Cliff

Scarborough: Shipwreck at the Foot of the Castle Cliff

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1808
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 16 1/2in. (30 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Oxford from Boar's Hill

Oxford from Boar's Hill

Creator:: Hugh O'Neill, 1784–1824
Date:: 1811
Materials & Techniques:: Watercolor with scratching out over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. An Old Fisherman Repairing Nets with a Cottage in the Background

An Old Fisherman Repairing Nets with a Cottage in the Background

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 12 inches (30.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Landscape with a Man Washing His Feet at a Fountain, after Poussin

Creator:: David Cox, 1783–1859
Date:: ca. 1821
Materials & Techniques:: Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. St. Peter's College, Cambridge

No cover image available

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Dover

No cover image available

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Etching and mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund