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Harlech Castle and Twgwyn Ferry
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London from the South West
Creator:
John Varley, 1778–1842
Date:
1831
Materials & Techniques:
Watercolor and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 10 3/4 inches (15.6 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Welsh Coast
Creator:
John Varley, 1778–1842
Date:
1837
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 11 5/8 inches (10.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belvoir Castle, Rutland
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 6 3/4 inches (11.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ripon Minster, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire
Creator:
Joshua Cristall, 1768–1847
Date:
1818
Materials & Techniques:
Watercolor and graphite, with scraping on thick, slightly textured, beige card
Dimensions:
Sheet: 11 3/8 × 18 1/8 inches (28.9 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection