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1. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
2. XIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
3. XXXI
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
4. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
5. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
6. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund