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Portrait of Whistler
Creator:
Henri Charles Guérard, 1846–1897
Date:
1888
Materials & Techniques:
Etching, drypoint, aquatint and roulette, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 5/16 inches (44.1 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jeanne K. Welcher
Duke of Gloucester Taken into the Water Gate of Calais, 1380
Creator:
David Scott, 1806–1849
Date:
1841
Materials & Techniques:
Etching and roulette on moderately thick, smooth, beige wove paper mounted on canvas
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman
View of Bloomsbury Square
Creator:
Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching, aquatint, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 22 1/2 inches (43.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa Quintilii
Creator:
Print made by William Walcot, 1874–1943
Date:
1921
Materials & Techniques:
Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Lion and Snake
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1799
Materials & Techniques:
Mezzotint, etching, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in a Classical Ruin, with a Statue on a Plinth
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching, mezzotint, and roulette
Dimensions:
Sheet: 7 1/4 x 4in. (18.4 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection