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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
3
Creator
Blake, William, 1757–1827
3
Date
1804
3
On-site Access
Accessible by appointment in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
3
Creator Gender
male
3
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
3
Period
19th century
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3
Materials & Techniques
black ink
3
relief etching
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3
watercolor
3
wove paper
3
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drawing
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relief print
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watercolor
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literary theme
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religious and mythological subject
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literary theme
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religious and mythological subject
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text
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water
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waves (natural events)
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men
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nudes
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angels
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ark
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beak
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boat
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clouds
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darkness
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house
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moon
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mythological figures
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night
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rocks (landforms)
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rooster
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serpent
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
3
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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relief etching
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waves (natural events)
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1
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
2
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
3
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820