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Materials & Techniques red ink

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Work Type drawing

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Width [cm] 39

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Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London-Dover Royal Mail, c. 1830-1840
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Launching of a Ship
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and red ink, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, brown wove paper mounted on thick, rough, brown wove paper
Dimensions:
Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John and Carmen Dugdale
Raglan Castle, Monmouthshire, Wales: Details
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and red ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 13/16 x 15 3/16 inches (24.9 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund