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Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Thomas Ross Figures with a Wagon and Horses
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
Thomas Ross Riders, Figures and a Dog
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
Henry Thomas Alken A Charging Mameluke Firing a Pistol
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
James Ward Head of a Tiger
James Ward, 1769–1859
Head of a Tiger
undated
Jan Wyck Hare Hunting: The Kill
Jan Wyck, ca. 1645–1700
Hare Hunting: The Kill
undated
James Seymour A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
James Ward A Young Boy with Dogs
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Peter DeWint Head of a Girl: Probably a Study of Mrs. De Wint
Peter DeWint, 1784–1849
Head of a Girl: Probably a Study of Mrs. De Wint
undated
Benjamin Robert Haydon Study of a Man in a Long Robe
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
unknown artist Portrait Study
unknown artist
Portrait Study
undated
Augustus Edwin John Study of Gwen John
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
Ford Madox Brown The Artist's Wife Emma, on her Wedding Day
Ford Madox Brown, 1821–1893
The Artist's Wife Emma, on her Wedding Day
1853
William Haydon Fuge Rev. Charles Forster
William Haydon Fuge, active ca. 1849–1866
Rev. Charles Forster
undated
William Haydon Fuge Archdeacon Forster
William Haydon Fuge, active ca. 1849–1866
Archdeacon Forster
1853
Sir George Clausen Sketch of Three Laborers
Sir George Clausen, 1852–1944
Sketch of Three Laborers
undated
Thomas Patch Sketchbook of Portrait Studies
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
unknown artist Entrance Doorway in the Tower, St Stephen's Chapel
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
Johan Joseph Zoffany Elephants Fighting
Johan Joseph Zoffany, 1733–1810
Elephants Fighting
between 1784 and 1788
Sir Edwin Henry Landseer Huntsman with Hounds
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
James Seymour Horse, With Rider Lightly Sketched, Walking to Left
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
Archibald Thorburn Hounds: "Fleur" and "Frogmore"
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
Archibald Thorburn Hounds: "Seagull"
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
unknown artist Study of a Lion, Resting
unknown artist
Study of a Lion, Resting
undated
John Opie Standing Classical Male Figure with Spear
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
Duncan Grant 'Diana and Acteon', after Titian, done for the National Gallery appeal in London
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
John Opie Standing Classical Female Figure
John Opie, 1761–1807
Standing Classical Female Figure
undated
Benjamin Robert Haydon Study of Feet
Benjamin Robert Haydon, 1786–1846
Study of Feet
undated
Benjamin Robert Haydon Study of a Soldier
Benjamin Robert Haydon, 1786–1846
Study of a Soldier
undated
unknown artist Portrait of Mr. Pope
unknown artist
Portrait of Mr. Pope
undated
Sir Edwin Henry Landseer Lions at Play
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
Hercules Brabazon Brabazon Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
Hercules Brabazon Brabazon, 1821–1906
Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
undated
Hercules Brabazon Brabazon Study of a Woman
Hercules Brabazon Brabazon, 1821–1906
Study of a Woman
undated
Henri Edmond Cross Male Nude
Henri Edmond Cross, 1856–1910
Male Nude
1894
William Mulready Drawing for The First Voyage
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
unknown artist Portrait of Two Men
unknown artist
Portrait of Two Men
18th century
Sir Peter Lely Study for the Portrait of a Lady
Attributed to Sir Peter Lely, 1618–1680
Study for the Portrait of a Lady
undated
John Michael Rysbrack Penitent Magdalene
John Michael Rysbrack, 1694–1770
Penitent Magdalene
undated
George Lambert A Young Man Asleep
George Lambert, 1700–1765
A Young Man Asleep
undated
Marcellus Laroon the Younger A Youth Carrying a Basket
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
Henry Edridge Portrait of Thomas Estcourt Esq. of Estcourt
Henry Edridge, 1769–1821
Portrait of Thomas Estcourt Esq. of Estcourt
1806
Archibald Rutherford Portrait of a Man
Archibald Rutherford, 1743–1779
Portrait of a Man
1774
John Robert Cozens Isola Borromea, Lago Maggiore
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
William Daniell John Singleton Copley
William Daniell, 1769–1837
John Singleton Copley
between 1804 and 1814
Sir Thomas Lawrence Sir Francis Burdett
Sir Thomas Lawrence, 1769–1830
Sir Francis Burdett
After 1808
Philippe Mercier Seated Woman with a Book
Philippe Mercier, 1689 or 1691–1760
Seated Woman with a Book
1725
John Raphael Smith An Evening Walk
John Raphael Smith, 1752–1812
An Evening Walk
ca. 1783
Giles Hussey Album of 36 Drawings Selected by Benjamin West, P.R.A.
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A
between 1730 and 1768
Simeon Solomon Fancy, Cupid and Pleasure
Simeon Solomon, 1840–1905
Fancy, Cupid and Pleasure
undated
Bernard Lens III Bust of a Woman Looking upwards to left
Bernard Lens III, 1682–1740
Bust of a Woman Looking upwards to left
1703
Richard Cosway Mrs. Cosway as the Milkmaid
Richard Cosway, 1742–1821
Mrs. Cosway as the Milkmaid
undated
Richard Cosway Flight into Egypt
Richard Cosway, 1742–1821
Flight into Egypt
undated
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawing of Hands
Sir Peter Lely, 1618–1680
Drawing of Hands
1650s-1660s
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawings of Hands
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
Sir Peter Lely Drawing of a Hand
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
Sir Peter Lely Drawing of a Hand
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
Sir Thomas Lawrence A Life Drawing
Sir Thomas Lawrence, 1769–1830
A Life Drawing
ca. 1789
John Robert Cozens Naples from Sir William Hamilton's Villa, Portici
John Robert Cozens, 1752–1797
Naples from Sir William Hamilton's Villa, Portici
ca. 1783
David Allan Study for the Portrait of William Inglis
David Allan, 1744–1796
Study for the Portrait of William Inglis
ca. 1787
Michael Dahl Portrait of a Gentleman (Mr. Plumer or Plumiere)
Michael Dahl, 1656–1743
Portrait of a Gentleman (Mr. Plumer or Plumiere)
undated
John Downman Portrait of a Lady, Facing Left
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
David Cox Panorama Old London Bridge
David Cox, 1783–1859
Panorama Old London Bridge
1820s
Charles West Cope Study of a Boy
Charles West Cope, 1811–1890
Study of a Boy
undated
Charles West Cope Study of a Boy Holding a Horse's Head
Charles West Cope, 1811–1890
Study of a Boy Holding a Horse's Head
undated
Augustin Heckel Design for a Cartouche with Putto
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
Augustin Heckel Design for a Cartouche with Mythological Figures
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Mythological Figures
undated
Alfred Stevens Study for Massacre of the Innocents
Alfred Stevens, 1817–1875
Study for Massacre of the Innocents
undated
Alfred Stevens Study of three figures in Movement
Alfred Stevens, 1817–1875
Study of three figures in Movement
undated
Daniel Gardner Mrs. Jane Mounsey and Child
Daniel Gardner, 1750–1805
Mrs. Jane Mounsey and Child
ca. 1770
Hubert-François Gravelot Design for a Vignette: Figure of Abundance
Hubert-François Gravelot, 1699–1773
Design for a Vignette: Figure of Abundance
undated
Hubert-François Gravelot Design for a Medal: Boths Hand Fil'd for Britain
Hubert-François Gravelot, 1699–1773
Design for a Medal: Boths Hand Fil'd for Britain
between 1734 and 1736
Hubert-François Gravelot Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
Hubert-François Gravelot Design for a Frontispiece: Shepherds with Flock
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Shepherds with Flock
undated
Hubert-François Gravelot Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
Hubert-François Gravelot, 1699–1773
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
Hubert-François Gravelot Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
undated