Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
102
Samuel Scott, ca. 1702–1772
Westminster Abbey and Bridge from Somerset Garden
1759
103
Allan Ramsay, 1713–1784
Head of a Woman
undated
104
Allan Ramsay, 1713–1784
Head of a Young Woman or Man
undated
105
Alfred Stevens, 1817–1875
Group of Figures, Child Begging in Center
undated
106
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
107
Robert Price, 1717–1761
A Bridge in a Landscape
undated
108
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
109
John Raphael Smith, 1752–1812
Lady on a Terrace Tending a Carnation Plant
undated
110
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
111
James Ward, 1769–1859
Study of the Head of a Ram
undated
112
unknown artist
An Ornamental Pool and Fountain
ca. 1700
113
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
114
Edward Francis Burney, 1760–1848
Caricature Self-Portrait
undated
115
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
116
Samuel De Wilde, 1748–1832
An Actress
1806
117
Attributed to George Vertue, 1684–1756
Portrait of John Dixon, Facing Right
undated
118
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
119
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
120
Frederick Sandys, 1829–1904
Study of two girls, with a study of a hand to the right
undated
121
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
122
Samuel De Wilde, 1748–1832
An Actor
undated
123
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
124
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends
1805
125
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
126
Paul Sandby, 1731–1809
Lady in a Bonnet
between 1760 and 1765
127
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
128
Johan Joseph Zoffany, 1733–1810
A Hindu Brought to the River Ganges to Die, at Ghazipur
1788
129
attributed to Paul Sandby, 1731–1809
Arthur Gore, first Earl of Arran
undated
130
William Ward, 1766–1826
Portrait Study of Mrs. George Morland
undated
131
John Russell, 1745–1806
Head of a Lady
ca. 1780
132
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
133
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
134
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
135
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1730
136
John Hoppner, 1758–1810
Young Child with Lap-Dog
undated
137
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
undated
138
John Hoppner, 1758–1810
Study of a Seated Woman
undated
139
Jan Joseph Horemans, 1714–c.1790
Study of a Man
undated
140
John Hayter, 1800–1895
Portrait of a Gentleman
1832
141
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
142
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
143
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
144
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
145
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
146
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
147
George Knapton, 1698–1778
Portrait of a Young Man
undated
148
unknown artist
Unidentified Sitter
undated
149
Attributed to Sir Godfrey Kneller, 1646–1723
Head of a Man
1732
150
unknown artist
Portrait of John Locke, The Philosopher
after 1704
151
Attributed to Domenico Mondo, 1723– c.1808
Study for Ceiling: Apollo and other Figures
undated
152
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
153
Ozias Humphry, 1742–1810
Countess Poulett
undated
154
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
155
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
156
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
157
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
158
Giles Hussey, 1710–1788
Head of a Man with Stubble Beard, Facing Right
undated
159
Jan Wyck, ca. 1645–1700
Hare Hunting: The Kill
undated
160
unknown artist
Study of a Lion, Resting
undated
161
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
162
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
163
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
164
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
165
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
166
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
167
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
168
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
169
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
170
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
171
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
172
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
173
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
174
unknown artist
Head of an Eagle, Facing Left
undated
175
John Opie, 1761–1807
Standing Classical Female Figure
undated
176
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
177
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
178
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
179
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
180
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
181
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
182
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
183
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
184
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
185
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
186
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
187
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
188
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
189
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
190
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
191
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
192
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
193
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed