<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques red chalk

Remove constraint Materials & Techniques: red chalk

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Search Results

George Morland Fisherman and Dog Sitting by the Coast
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
Hubert-François Gravelot Two Prize Fighters
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
John Hoppner Young Child with Lap-Dog
John Hoppner, 1758–1810
Young Child with Lap-Dog
undated
John Hoppner Portrait Study of a Young Man, possibly Frank Issom
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
undated
John Hoppner Study of a Seated Woman
John Hoppner, 1758–1810
Study of a Seated Woman
undated
Francis Hayman Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
John Hayter Portrait of a Gentleman
John Hayter, 1800–1895
Portrait of a Gentleman
1832
unknown artist Man in Egyptian Dress
unknown artist
Man in Egyptian Dress
undated
John Frederick Lewis A Head Keeper, Windsor Castle, 1826
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
William Henry Hunt Portrait of a Gentleman
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
Samuel De Wilde An Actress
Samuel De Wilde, 1748–1832
An Actress
1806
Thomas Uwins Farm House Kitchen at Brackham in Surrey
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
Robert Price A Bridge in a Landscape
Robert Price, 1717–1761
A Bridge in a Landscape
undated
John Raphael Smith Lady on a Terrace Tending a Carnation Plant
John Raphael Smith, 1752–1812
Lady on a Terrace Tending a Carnation Plant
undated
Paul Sandby A Lady Copying at a Drawing Table
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
Sir David Wilkie A Priest with Two Children
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
James Ward Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
Giles Hussey Three studies of heads from classical figures
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
Jonathan Richardson the Elder Self-Portrait
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1733
Samuel De Wilde A Boy with a Basket
Samuel De Wilde, 1748–1832
A Boy with a Basket
1808
William Ward Portrait Study of Mrs. George Morland
William Ward, 1766–1826
Portrait Study of Mrs. George Morland
undated
unknown artist Study of a Woman Sewing and a Girl Reading
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
Philippe-Jacques de Loutherbourg Corps de Garde (Barbarians Defeated by a Book)
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
William Hamilton Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
John Frederick Lewis Sheik Hussein of Gebel Tor and His Son
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
David Cox Cottage in Herefordshire
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
Samuel De Wilde An Actor
Samuel De Wilde, 1748–1832
An Actor
undated
Thomas Ross Figures with a Wagon and Horses
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
John Michael Rysbrack Two Horses' Heads
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
James Ward A Young Boy with Dogs
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
James Ward Head of a Tiger
James Ward, 1769–1859
Head of a Tiger
undated
unknown artist Head of an Eagle, Facing Left
unknown artist
Head of an Eagle, Facing Left
undated
Henry Thomas Alken A Charging Mameluke Firing a Pistol
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Thomas Alken Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
unknown artist Studies of a Sleeping Lion
unknown artist
Studies of a Sleeping Lion
undated
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
unknown artist Head of a Male Lion
unknown artist
Head of a Male Lion
undated
unknown artist Head of a Leopard
unknown artist
Head of a Leopard
undated
James Ward Sleeping Pig
James Ward, 1769–1859
Sleeping Pig
undated
Gangaram Chintaman Tambat Side View of Bhuleshwar Temple
Gangaram Chintaman Tambat, active 1790s
Side View of Bhuleshwar Temple
undated
Gangaram Chintaman Tambat West or Back View of Bhuleshwar Temple
Attributed to Gangaram Chintaman Tambat, active 1790s
West or Back View of Bhuleshwar Temple
undated
Edward Francis Burney An Allegory of America Carrying the Cap of Liberty
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
Sir Edwin Henry Landseer Huntsman with Hounds
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
James Seymour A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
Thomas Ross Riders, Figures and a Dog
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
Thomas Ross Figures, Horses and Cows
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
James Seymour Horse, With Rider Lightly Sketched, Walking to Left
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
Paul Maze A Guards' Band
Paul Maze, 1887–1979
A Guards' Band
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
Archibald Thorburn Hounds: "Seagull"
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
Archibald Thorburn Hounds: "Fleur" and "Frogmore"
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
unknown artist Study of a Lion, Resting
unknown artist
Study of a Lion, Resting
undated