Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
202
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
203
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
204
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
205
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
206
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
207
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
208
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
209
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
210
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
211
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
212
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
213
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
214
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
215
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
216
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
217
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
218
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
219
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
220
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
221
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
222
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
223
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
224
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
225
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
226
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
227
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
228
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
229
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
230
unknown artist
Head of a Leopard
undated
231
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
232
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
233
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
234
James Seymour, 1702–1752
Coursing - After the Kill
undated
235
Paul Maze, 1887–1979
A Guards' Band
undated
236
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
237
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
238
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
239
unknown artist
Head of a Male Lion
undated
240
unknown artist
Studies of a Sleeping Lion
undated
241
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
242
Peter DeWint, 1784–1849
Head of a Girl: Probably a Study of Mrs. De Wint
undated
243
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
244
Edward Robert Hughes, 1851–1914
Portia
undated
245
unknown artist
Portrait of Mr. Pope
undated
246
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
1848
247
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
248
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
249
Edward Francis Burney, 1760–1848
Deposition
undated
250
Edward Francis Burney, 1760–1848
St. Jerome Meditating
undated
251
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
252
James Havard Thomas, 1854–1921
Shepherd Resting and Conversing
1897
253
Isaac Weld, 1774–1856
The Wine Tasting
1819
254
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
255
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
256
Sir Joshua Reynolds, 1723–1792
Two Figures Seated
undated
257
Benjamin Robert Haydon, 1786–1846
Study of Feet
undated
258
Benjamin Robert Haydon, 1786–1846
Study of a Soldier
undated
259
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
260
Victor Newsome, 1935–2018
Head - Drawing for a Lithograph
1981
261
Richard Cosway, 1742–1821
Mrs. Cosway as the Milkmaid
undated
262
Johan Joseph Zoffany, 1733–1810
Elephants Fighting
between 1784 and 1788
263
Richard Cosway, 1742–1821
Flight into Egypt
undated
264
Richard Cosway, 1742–1821
Christ Blessing Little Children
undated
265
Richard Cosway, 1742–1821
Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
undated
266
Sir Thomas Lawrence, 1769–1830
A Life Drawing
ca. 1789
267
George Lambert, 1700–1765
A Young Man Asleep
undated
268
Sir George Clausen, 1852–1944
Sketch of Three Laborers
undated
269
Sir Thomas Lawrence, 1769–1830
The Wellesley-Pole Sisters
1814
270
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
271
Sawrey Gilpin, 1733–1807
Study of a tiger
undated
272
Sir Peter Lely, 1618–1680
Drawing of Hands
1650s-1660s
273
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
274
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
275
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
276
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
277
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
278
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
279
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
280
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
281
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
282
Alfred Stevens, 1817–1875
Study of three figures in Movement
undated
283
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813
284
Jonathan Richardson the Elder, 1667–1745
Jonathan Richardson, Jr
undated
285
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
286
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
287
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
288
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
289
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
290
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche of Cupid and Diana
undated
291
Attributed to Augustin Heckel, 1690–1770
Sketches of Figures
undated
292
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Figures Holding Hands
undated
293
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
294
Attributed to Augustin Heckel, 1690–1770
A Grotesque Mask
undated
295
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
296
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
297
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
298
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
299
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head