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Materials & Techniques pens

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Period 18th century-19th century

Remove constraint Period: 18th century-19th century

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Edward Francis Burney Caricature Self-Portrait
Edward Francis Burney, 1760–1848
Caricature Self-Portrait
undated
Frederick Calvert Ryde, Isle of Wight
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
Thomas Stothard Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
Edward Francis Burney Mowbray Park
Edward Francis Burney, 1760–1848
Mowbray Park
undated
Edward Francis Burney Bathing Houses at Margate
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
Edward Francis Burney Horse Cart
Edward Francis Burney, 1760–1848
Horse Cart
undated
Edward Francis Burney River Landscape with Bridge
Edward Francis Burney, 1760–1848
River Landscape with Bridge
undated
Edward Francis Burney Chepstow Castle
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
Edward Francis Burney Bathampton Mill
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
Edward Francis Burney Pastural
Edward Francis Burney, 1760–1848
Pastural
undated
Edward Francis Burney The Boatman
Edward Francis Burney, 1760–1848
The Boatman
undated
Edward Francis Burney Hilly Landscape with House
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
Edward Francis Burney Richmond
Edward Francis Burney, 1760–1848
Richmond
undated
Edward Francis Burney Bathampton Mill
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
Edward Francis Burney View at Rympton
Edward Francis Burney, 1760–1848
View at Rympton
undated
Edward Francis Burney Woodsman
Edward Francis Burney, 1760–1848
Woodsman
undated
Edward Francis Burney Road in the Forest
Edward Francis Burney, 1760–1848
Road in the Forest
undated
Edward Francis Burney View at Margate
Edward Francis Burney, 1760–1848
View at Margate
undated
Edward Francis Burney View at Margate
Edward Francis Burney, 1760–1848
View at Margate
undated
Edward Francis Burney Thatched-roof Barn
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
Edward Francis Burney Elevation of a House
Edward Francis Burney, 1760–1848
Elevation of a House
undated
Edward Francis Burney View near Bristol
Edward Francis Burney, 1760–1848
View near Bristol
undated
Edward Francis Burney Watley
Edward Francis Burney, 1760–1848
Watley
undated
Edward Francis Burney Musicians
Edward Francis Burney, 1760–1848
Musicians
undated
Edward Francis Burney Bacchanalia
Edward Francis Burney, 1760–1848
Bacchanalia
undated
Edward Francis Burney Female Figure carrying Water Jug on her Head
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
Edward Francis Burney Study of Ancient Roman Millstone (?)
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
Edward Francis Burney Distant View of Easton Neston, Northants
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
Charles Hamilton Smith Porch with Statuary, Easton Neston, Northants
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
Edward Francis Burney View of Easton Neston, Northants
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
Edward Francis Burney View in Surrey
Edward Francis Burney, 1760–1848
View in Surrey
undated
Edward Francis Burney Illustration for The New Doll: Let me Have It in my Own Hands
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
Edward Francis Burney Illustration for The New Doll: How Pretty it Is
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
Edward Francis Burney Study of a Male Nude
Edward Francis Burney, 1760–1848
Study of a Male Nude
undated
Edward Francis Burney Telemachus and Mentor Landing on the Island of Calypso
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
Edward Francis Burney Designs for Illustrations to Mozart's Operas
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
Edward Francis Burney Heavenly Orchestra
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
Edward Francis Burney Heavenly Orchestra
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
Edward Francis Burney Designs for Illustrations to Beethoven's Works
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
Edward Francis Burney Fools Planting a Tree
Edward Francis Burney, 1760–1848
Fools Planting a Tree
undated
Edward Francis Burney The Arts
Edward Francis Burney, 1760–1848
The Arts
undated
Edward Francis Burney Erato and Pan
Edward Francis Burney, 1760–1848
Erato and Pan
undated
Edward Francis Burney Allegory of Painting and Literature
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
Edward Francis Burney Study for the Kneeling Figure of Priscilla
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
Edward Francis Burney Study for the Figure of Grammateus
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
Edward Francis Burney Study for the Figures of Demitrius and Two Workmen
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
Edward Francis Burney Design for Commemorative Medallion for Simon Bolivar
Edward Francis Burney, 1760–1848
Design for Commemorative Medallion for Simon Bolivar
undated
Edward Francis Burney Design for Monument to Dyde and Scribe
Edward Francis Burney, 1760–1848
Design for Monument to Dyde and Scribe
undated
Edward Francis Burney Letter with Designs for Signets (?)
Edward Francis Burney, 1760–1848
Letter with Designs for Signets (?)
undated
Edward Francis Burney Bacchanalia
Edward Francis Burney, 1760–1848
Bacchanalia
undated
Charles Hamilton Smith Hall, Easton Neston, Northants
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
Edward Francis Burney Boarding the Ferry
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
Edward Francis Burney Country House
Edward Francis Burney, 1760–1848
Country House
undated
Edward Francis Burney Norbury Park
Edward Francis Burney, 1760–1848
Norbury Park
undated
Edward Francis Burney The Bridge
Edward Francis Burney, 1760–1848
The Bridge
undated
Edward Francis Burney River Landscape with Castle
Edward Francis Burney, 1760–1848
River Landscape with Castle
undated
Edward Francis Burney View near Bristol
Edward Francis Burney, 1760–1848
View near Bristol
undated
Edward Francis Burney Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
Edward Francis Burney, 1760–1848
Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
undated
Edward Francis Burney Labyrinth at Walworth, Surrey
Edward Francis Burney, 1760–1848
Labyrinth at Walworth, Surrey
undated
Edward Francis Burney Telemachus and Mentor Landing on the Island of Calypso
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
Edward Francis Burney Female Figures and Putti Playing Musical Instruments
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
Edward Francis Burney Pastoral
Edward Francis Burney, 1760–1848
Pastoral
undated
Edward Francis Burney Gross Study for St. Paul at Ephesus
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
undated
Edward Francis Burney Theatrical Scene
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
Edward Francis Burney Six Studies of Mother and Daughter Playing
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
Edward Francis Burney Study for the Figure of St. Paul
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
Edward Francis Burney Love Vindicated (L'Amour Vinqe')
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
Edward Francis Burney Mother and Children Seated on Cloud
Edward Francis Burney, 1760–1848
Mother and Children Seated on Cloud
undated
Edward Francis Burney Wedding of a God
Edward Francis Burney, 1760–1848
Wedding of a God
undated
Edward Francis Burney Putting Arms in the Hands of the Indians
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
Edward Francis Burney Apollo and Phaeton
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
Edward Francis Burney Putting Arms in Hands of the Indians
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
Edward Francis Burney Putting Arms in the Hands of Indians
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
undated
Edward Francis Burney Venus and Cupid
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
Edward Francis Burney Vulcan and The Gods and Goddesses
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
Edward Francis Burney Illustration for The New Doll: It's Mine, You may Look at It
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
Edward Francis Burney Allegory of Napoleonic Battles
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
Edward Francis Burney Allegory of Drawing
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
Thomas Stothard Relief Design for a Silver Salt Cellar
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
James Pattison Cockburn Form Open Column in Rear of Right
James Pattison Cockburn, 1779–1847
Form Open Column in Rear of Right
undated
James Pattison Cockburn Dismounted Cavalry
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
Thomas Stothard Tree Study
Thomas Stothard, 1755–1834
Tree Study
undated
Thomas Stothard Back of Naked Figure
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
Thomas Stothard Frieze of a Medieval Wedding
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
Thomas Stothard December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
Thomas Stothard May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
Thomas Stothard October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
Thomas Stothard November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Half the Plan of Ceiling, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Impost and Base of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802