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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
78
Creator
Burney, Edward Francis, 1760–1848
76
Carter, John, 1748–1817
2
Date
1775
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78
1770
16
1793
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1800
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11
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1699
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1725
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1
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1
1882
1
1891
1
1892
1
1904
1
1906
1
1944
1
1964
1
On-site Access
Accessible by appointment in the Study Room
78
Image Use
Free to Use
78
Image Available
Available
[remove]
78
Classification
Drawings & Watercolors
78
Creator Gender
male
78
Period
18th century-19th century
75
18th century
2
Materials & Techniques
pens
[remove]
78
black ink
56
wove paper
48
watercolor
33
graphite
27
laid paper
27
gray wash
26
brown ink
23
brown wash
8
red chalk
2
black chalk
1
brown chalk
1
gray ink
1
varnish
1
Height [cm]
Height [cm] range begin
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Current results range from
7
to
28
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
8
to
33
Work Type
drawing
76
watercolor
49
Genre
landscape
20
religious and mythological subject
20
figure study
11
architectural subject
10
genre subject
9
literary theme
3
military art
3
animal art
1
historical subject
1
marine art
1
portrait
1
still life
1
Subject Terms
trees
22
landscape
21
religious and mythological subject
20
angels
12
architectural subject
10
genre subject
9
figure study
8
river
8
valley (landform)
6
cherubs
5
fence
5
horses (animals)
5
allegory
4
bridge (built work)
4
clouds
4
country house
4
cows
4
farm
4
figures (representations)
4
boat
3
more
Subject Terms
»
Associated Places
United Kingdom
11
England
10
Europe
9
Surrey
3
City of Westminster
2
House of Commons
2
London
2
Northamptonshire
2
Palace of Westminster
2
St. Stephen's Chapel, Palace of Westminster
2
Towcester
2
Bath
1
Chepstow
1
Chepstow Castle
1
Kent
1
Margate
1
Monmouthshire
1
Wales
1
Associated People
Calypso, Nymph in Greek mythology, who lived on the island of Ogygia
2
Mentor
2
Paul, the Apostle, St. (c. AD 5–c. AD 67)
2
Telemachus
2
Apollo
1
Bacchus
1
Demetrius (character in A Midsummer Night's Dream)
1
Pan (god)
1
Phaëton
1
Venus
1
Vulcan
1
muses
1
Exhibition History
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
2
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
Credit Line
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
46
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
24
Yale Center for British Art, Paul Mellon Collection
5
Yale Center for British Art, Yale Art Gallery Collection
3
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Materials & Techniques
pens
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Date
1775
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1
Edward Francis Burney, 1760–1848
Study of a Male Nude
undated
2
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
3
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
4
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
5
Edward Francis Burney, 1760–1848
Pastoral
undated
6
Edward Francis Burney, 1760–1848
Fools Planting a Tree
undated
7
Edward Francis Burney, 1760–1848
The Arts
undated
8
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
9
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
10
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
11
Edward Francis Burney, 1760–1848
Gross Study for St. Paul at Ephesus
undated
12
Edward Francis Burney, 1760–1848
Erato and Pan
undated
13
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
14
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
15
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
16
Edward Francis Burney, 1760–1848
Mother and Children Seated on Cloud
undated
17
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
18
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
19
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
20
Edward Francis Burney, 1760–1848
Pamphilia
undated
21
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
22
Edward Francis Burney, 1760–1848
Bacchanalia
undated
23
Edward Francis Burney, 1760–1848
Design for Commemorative Medallion for Simon Bolivar
undated
24
Edward Francis Burney, 1760–1848
Letter with Designs for Signets (?)
undated
25
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
26
Edward Francis Burney, 1760–1848
River Landscape with Bridge
undated
27
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
28
Edward Francis Burney, 1760–1848
View at Margate
undated
29
Edward Francis Burney, 1760–1848
View near Bristol
undated
30
Edward Francis Burney, 1760–1848
Musicians
undated
31
Edward Francis Burney, 1760–1848
Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard
undated
32
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
33
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
34
Edward Francis Burney, 1760–1848
Study of a Male Nude
undated
35
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
36
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
37
Edward Francis Burney, 1760–1848
Wedding of a God
undated
38
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
39
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
40
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
undated
41
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
42
Edward Francis Burney, 1760–1848
Pamphilia
undated
43
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
44
Edward Francis Burney, 1760–1848
Bacchanalia
undated
45
Edward Francis Burney, 1760–1848
Design for Monument to Dyde and Scribe
undated
46
Edward Francis Burney, 1760–1848
Mowbray Park
undated
47
Edward Francis Burney, 1760–1848
Horse Cart
undated
48
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
49
Edward Francis Burney, 1760–1848
Pastural
undated
50
Edward Francis Burney, 1760–1848
Country House
undated
51
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
52
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
53
Edward Francis Burney, 1760–1848
The Boatman
undated
54
Edward Francis Burney, 1760–1848
Woodsman
undated
55
Edward Francis Burney, 1760–1848
Richmond
undated
56
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
57
Edward Francis Burney, 1760–1848
View at Rympton
undated
58
Edward Francis Burney, 1760–1848
Norbury Park
undated
59
Edward Francis Burney, 1760–1848
The Bridge
undated
60
Edward Francis Burney, 1760–1848
Road in the Forest
undated
61
Edward Francis Burney, 1760–1848
View at Margate
undated
62
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
63
Edward Francis Burney, 1760–1848
View near Bristol
undated
64
Edward Francis Burney, 1760–1848
River Landscape with Castle
undated
65
Edward Francis Burney, 1760–1848
Elevation of a House
undated
66
Edward Francis Burney, 1760–1848
Watley
undated
67
Edward Francis Burney, 1760–1848
Labyrinth at Walworth, Surrey
undated
68
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
69
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
70
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
71
Edward Francis Burney, 1760–1848
Caricature Self-Portrait
undated
72
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
73
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
74
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
75
Edward Francis Burney, 1760–1848
View in Surrey
undated
76
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
77
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780