Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
2
Edward Lear, 1812–1888
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
1867
3
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta
1866
4
Edward Lear, 1812–1888
Toske
1867
5
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
6
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
7
Edward Lear, 1812–1888
Oasis Village
1854
8
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
9
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
10
Attributed to William Marlow, 1740–1813
Civita Castellana
undated
11
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
12
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
13
unknown artist
Dr. Mum
undated
14
Paul Sandby, 1731–1809
The Gypsy Fortune-Teller
ca. 1758
15
Edward Francis Burney, 1760–1848
Paddington Canal: The Junction at Wormwood Scrubbs, with a Passenger Hailing the Uxbridge Passage Boat
undated
16
Charles Bentley, 1806–1854
Coast Scene with Shipping
undated
17
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
18
Benjamin West, 1738–1820
Page Boy Asleep
undated
19
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
20
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
21
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
22
George Jones, 1786–1869
Magdalen Tower and Bridge, Oxford
undated
23
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
24
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
25
Henry Thomas Alken, 1785–1851
Foxhunting: Drawing a Cover
undated
26
Samuel Howitt, 1756–1822
Dead Teal
undated
27
unknown artist
Design after a Greek Vase
undated
28
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
29
Samuel Howitt, 1756–1822
Full Cry
undated
30
Samuel Howitt, 1756–1822
Going to Cover
undated
31
Samuel Howitt, 1756–1822
The Check
undated
32
Samuel Howitt, 1756–1822
Going out of Kennel
undated
33
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
34
Samuel Howitt, 1756–1822
The Death
undated
35
Samuel Howitt, 1756–1822
Going Home
undated
36
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
37
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
38
Thomas Rowlandson, 1756–1827
A Waggoner
undated
39
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
40
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
41
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
42
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
43
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
undated
44
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
45
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
46
Henry Thomas Alken, 1785–1851
Foxhunting: The Leap
undated
47
Henry Thomas Alken, 1785–1851
Foxhunting: Full Cry
undated
48
Henry Thomas Alken, 1785–1851
Foxhunting: Gone Away
undated
49
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
50
William Evans of Bristol, 1809–1858
The 'Royal' Coach Outside the White Lion Inn
ca. 1845
51
Sir Francis Grant, 1803–1878
Self-Portrait, Hunting: in a Scarlet Coat and Tall Hat
ca. 1821
52
Robert Dighton, 1752–1814
Pheasant Shooting
before 1801
53
Capt. Francis Grose, 1731–1791
Priory Old House, Thetford
1777
54
unknown artist
Waterloo Bridge from the West, 1814
1814
55
William Sawrey Gilpin, 1762–1843
Abbey Ruin
undated
56
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
57
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
58
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
59
Joseph Cartwright, c.1789–1829
Single Brig; Sketches of Separate Stern and Rubber
undated
60
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
61
Benjamin Robert Haydon, 1786–1846
Study of a Group of Figures and a Study of a Man's Head
undated
62
James Miller, active 1773–1814
View of Isleworth Church
undated
63
James Miller, active 1773–1814
View of a House
undated
64
Henry Swinburne, 1743–1803
Coastal Landscape Scene
undated
65
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
66
Henry Swinburne, 1743–1803
Six Capitals of Columns in the Court of Lions in the Alambra of Granada
1775 to 1776
67
Henry Swinburne, 1743–1803
Cupboard in the Hall of the Embassadors
1775 to 1776
68
Henry Swinburne, 1743–1803
Study of a Section Piece From The Lions Court at Alahambra
1775 to 1776
69
Henry Swinburne, 1743–1803
Coat of Arms Design
undated
70
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Sea, Town and Hills
ca. 1785
71
Paul Sandby, 1731–1809
The Bayswater Turnpike
undated
72
G. W. Gent, active 1804–1822
Boldre Church and Bridge
1800
73
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
74
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
75
Sir James Thornhill, 1675–1734
Design for a Wall Panel
undated
76
pupil of John Malchair, 1730–1812
Road Between Hills
undated
77
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
78
Moses Griffith, 1747–1819
View of Erthig, Denbigshire, Wales
undated
79
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
80
James Bruce, 1730–1794
Wolf
1764
81
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
82
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
83
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
84
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
85
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
86
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
87
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
88
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
89
W. S. Penson, 19th century
View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock
undated
90
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
91
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
92
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
93
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
94
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
95
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
96
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
97
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
98
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
99
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
100
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan