Materials & Techniques: pen / Image Available: Available - YCBA Collections Search Search Results

1. The Horse

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Tempera with pen and black ink on a copper engraving plate
Dimensions:: 4 3/16 x 2 1/2 inches (10.6 x 6.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Judgement of Korah, Dathan and Abiram

Creator:: Maria Hadfield Cosway, 1759–1838
Date:: ca. 1801
Materials & Techniques:: Pen and ink and oil on canvas
Dimensions:: 14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. An Unfinished View of the West Gate, Canterbury

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1785
Materials & Techniques:: Pen and brown ink and oil on paper laid down on panel
Dimensions:: 17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. Sketch of a Base for the Mill Reef statue, 1972: Base with Statue

Creator:: John R. Skeaping, 1901–1980
Date:: 1972
Materials & Techniques:: Watercolor, graphite, gouache, and pen and red ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/16 × 12 inches (20.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Arab Horsemen, Two Grey Horses

Creator:: John R. Skeaping, 1901–1980
Date:: 1965
Materials & Techniques:: Watercolor and gouache on thick, rough, white wove paper
Dimensions:: Sheet: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tintern Abbey

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Primitive Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and dark brown ink and gray wash on medium, moderately textured, cream heavy wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Conway Castle

Creator:: Samuel Palmer, 1805–1881
Date:: 1836
Materials & Techniques:: Graphite, watercolor, gouache and pen and brown ink on medium, smooth, brown wove paper on heavy card
Dimensions:: Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: 1843
Materials & Techniques:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Cornfields with Barn, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1840
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Cottage among Trees, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 7 1/2 inches (27.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Mount Siabod from Tyn-y-Coed near Capel Curig

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache, watercolor, and graphite with pen and brown ink on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 7/8 x 18 5/8 inches (37.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Crescent Moon

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and sepia ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Valley of Dolwyddelan

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, black chalk, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/8 inches (19.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Landscape Sketch

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Cow Lodge with a Mossy Roof

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Opening the Fold: Early Morning

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1880
Materials & Techniques:: Graphite, gray wash, and pen and black ink, squared for transfer on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 1/4 x 5 7/8 inches (10.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Streets of the Tombs, Pompeii

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, beige board
Dimensions:: Mount: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

27. Brighton Beach Looking West

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Recollection of the New R.A.

Creator:: John Constable, 1776–1837
Date:: 1837
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A View on the Orwell

Creator:: attributed to John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 15/16 inches (12.7 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Trees and Deer

Creator:: John Constable, 1776–1837
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown and gray wash on medium, rough, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Stoke Poges Church

Creator:: John Constable, 1776–1837
Date:: 1834
Materials & Techniques:: Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Human Skeleton, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/8 inches (43.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, graphite, and red chalk, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Tiger Body, Lateral View (Probably made as the basis for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Leopard Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 12 1/4 inches (23.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 14 1/2 inches (50.8 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Fowl Body, Lateral View (Study for key figure to Table X)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite; verso: graphite, and pen with red ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/8 inches (51.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Fowl Head and Neck, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 8 1/4 inches (26 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Monkey Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 13 1/4 inches (28.3 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Human Skeleton, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/4 inches (43.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 17 1/4 inches (26.7 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen and iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 20 1/4 inches (38.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Human Skeleton, Anterior View (Final study)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, pen and iron gall ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 20 1/4 x 13 3/4 inches (51.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Tiger Body, Lateral View (Outline drawing for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Horses Fighting

Creator:: after George Stubbs, 1724–1806
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 5/8 inches (4.4 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 1/2 inches (5.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Tours, Looking Backward

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1826 and 1830
Materials & Techniques:: Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Entrance to the Port of Marseille

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and brown ink with gouache over graphite on medium, slightly textured, blue wove paper mounted on moderately thick, slightly textured, cream card
Dimensions:: Mount: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

77. Albenga

Creator:: Edward Lear, 1812–1888
Date:: 1864
Materials & Techniques:: Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

78. Sketches of Athens

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 6 3/4 × 17 7/8 inches (17.1 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

79. Manor (Knowsley Lane?)

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 x 9 5/8 inches (16.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

80. Salonica, from my Room Window, 11 Sept. 1848, after Sunset

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Watercolor, pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 1/8 inches (17.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

81. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

82. Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 3/8 × 6 1/4 inches (6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

83. Near Negadeh. 7:00 A.M., 25 Feb. 1867 (547)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 11/16 × 7 inches (6.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

84. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Silsilis

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, graphite, pen and red ink on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 3 1/16 x 6 1/16 inches (7.8 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

87. Near Suez, 1 pm, 16 January 1849 (48)

Creator:: Edward Lear, 1812–1888
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

88. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

Creator:: Edward Lear, 1812–1888
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

89. Vjosa

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, mounted on very thick, moderately textured, beige wove cardboard paper
Dimensions:: Sheet: 5 1/8 x 7 5/8 inches (13 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

90. Tepelene, 18 April 1857

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, smooth, white wove paper
Dimensions:: Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

91. On the Road, Two Hours from Tepelene, 19 April 1857

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 8 7/8 x 12 7/16 inches (22.5 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

92. Toara, 11:15 a.m., January 1, 1867 (9)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 9 3/8 inches (4.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

93. Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 2 5/8 x 6 3/16 inches (6.7 x 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

94. Near Mesghouneh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/4 x 8 5/8 inches (5.7 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

95. Near Mesghouneh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/8 x 8 1/16 inches (6 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

96. Near Mesghouneh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 5/16 x 12 3/16 inches (3.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

97. El Ousta

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, graphite, pen and brown ink and red ink on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

98. Dhoura Island

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, rough, brown wove paper
Dimensions:: Sheet: 2 x 6 1/8 inches (5.1 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

99. El Kab

Creator:: Edward Lear, 1812–1888
Date:: 1854
Materials & Techniques:: Watercolor, pen and red ink on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 2 1/2 x 6 1/8 inches (6.4 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

100. Leonessa, 3 October 1844

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/8 × 10 1/2 inches (30.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

YCBA Collections Search

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1. The Horse

2. The Judgement of Korah, Dathan and Abiram

3. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

4. An Unfinished View of the West Gate, Canterbury

5. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

6. Sketch of a Base for the Mill Reef statue, 1972: Base with Statue

7. Arab Horsemen, Two Grey Horses

8. Over the Bank, Exmoor

9. Huntsman and Hounds

10. Tintern Abbey

11. The Primitive Cottage, Shoreham

12. Conway Castle

13. A Shepherd and his Flock under the Moon and Stars

14. View from Rook's Hill, Kent

15. Cornfields with Barn, Shoreham

16. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

17. A Cottage among Trees, Shoreham

18. Mount Siabod from Tyn-y-Coed near Capel Curig

19. An Ancient Barn at Shoreham

20. The Crescent Moon

21. The Valley of Dolwyddelan

22. Landscape Sketch

23. A Cow Lodge with a Mossy Roof

24. A Barn with a Mossy Roof, Shoreham

25. Opening the Fold: Early Morning

26. Streets of the Tombs, Pompeii

27. Brighton Beach Looking West

28. A Recollection of the New R.A.

29. A View on the Orwell

30. Trees and Deer

31. Dawn

32. Stoke Poges Church

33. Human Skeleton, Lateral View

34. Human Skeleton, Posterior View

35. Human Skeleton, Lateral View

36. Tiger Skeleton, Lateral View

37. Tiger Body, Lateral View

38. Tiger Body, Lateral View (Probably made as the basis for a key figure)

39. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

40. Leopard Body, Lateral View

41. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

42. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

43. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

44. Fowl Body, Lateral View (Study for key figure to Table X)

45. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

46. Fowl Head and Neck, Lateral View

47. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

48. Monkey Standing, Anterior View

49. Human Skeleton, Anterior View

50. Human Skeleton, Lateral View

51. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

52. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

53. Human Skeleton, Anterior View (Final study)

54. Tiger Body, Lateral View (Outline drawing for a key figure)

55. Horses Fighting

56. Grotesque Female Head

57. Grotesque Female Head

58. Grotesque Male Head

59. Grotesque Male Head

60. Grotesque Male Head

61. Grotesque Male Head

62. Grotesque Male Head

63. Grotesque Male Head

64. Grotesque Male Head

65. Grotesque Female Head

66. Grotesque Male Head

67. Grotesque Female Head

68. Grotesque Female Head

69. Grotesque Male Head

70. Grotesque Male Head

71. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

72. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

73. Study for the Foundlings

74. Tours, Looking Backward