Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
5
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
6
Edward Lear, 1812–1888
Kulat Adde, near Abu Simbel
1867
7
Edward Lear, 1812–1888
Near Dakkeh
1867
8
Edward Lear, 1812–1888
Tepelene, 19 April 1857
1857
9
Edward Lear, 1812–1888
Deir Kadige, noon, January 2, 1867 (26)
1867
10
Edward Lear, 1812–1888
Sunset
1867
11
Edward Lear, 1812–1888
Between Thebes and Erment
1867
12
Edward Lear, 1812–1888
Memphis
1867
13
Edward Lear, 1812–1888
Dendera
1867
14
Thomas Hearne, 1744–1817
The Welsh Curate
undated
15
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
16
Circle of John Hayter, 1800–1895
Portrait of a Lady, called Mademoiselle Sontag
1805
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
18
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
19
Possibly by Rev. William Gilpin, 1724–1804
Landscape
undated
20
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
21
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Canopy
undated
22
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
23
Augustus Welby Northmore Pugin, 1812–1852
Design for a Stained Glass Window
undated
24
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
25
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
26
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
27
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at the Temple of Minerva
1802-1804
28
Benjamin Robert Haydon, 1786–1846
Portrait Studies
undated
29
Benjamin Robert Haydon, 1786–1846
Study of Nude Female
undated
30
Sir Joshua Reynolds, 1723–1792
Woman and Children
undated
31
Sir Joshua Reynolds, 1723–1792
Woman 'Cleopatra'
undated
32
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
33
Sir Joshua Reynolds, 1723–1792
Dancing Woman
undated
34
Sir Joshua Reynolds, 1723–1792
Standing Figure
undated
35
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
36
Sir Joshua Reynolds, 1723–1792
Two Swimmers
undated
37
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
38
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
39
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
40
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
41
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
42
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
43
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
44
Mrs. P. D. H. Page, 20th century
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
undated
45
Mrs. P. D. H. Page, 20th century
Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
undated
46
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
47
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
48
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
49
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
50
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
51
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
undated
52
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
53
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
54
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
55
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
56
Mrs. P. D. H. Page, 20th century
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
undated
57
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
58
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
59
James Miller, active 1773–1814
View of Isleworth Church
undated
60
Robert Smirke, 1752–1845
Studies for Armour
undated
61
Benjamin Robert Haydon, 1786–1846
Study for a Battle Scene
undated
62
Benjamin Robert Haydon, 1786–1846
Study for, Agony in the Garden
undated
63
Benjamin Robert Haydon, 1786–1846
Study of a Group of Figures, Kneeling and Standing
undated
64
Benjamin Robert Haydon, 1786–1846
Study of Faces
undated
65
Sir Robert Smirke the younger, 1781–1867
Capital of the Columns of the Temple of Minerva
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
The Mad House in the Suburbs of Vienna
1804
67
Henry Swinburne, 1743–1803
Lozère Near Montpellier
undated
68
Henry Swinburne, 1743–1803
Castle of Elmo &c
1777 to 1778
69
Henry Swinburne, 1743–1803
Mount Vesuvius
1777 to 1778
70
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
undated
71
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
72
Henry Swinburne, 1743–1803
Osteria e Posta di Boccano
1777 to 1778
73
Henry Swinburne, 1743–1803
Modena, Italy
1777 to 1778
74
Henry Swinburne, 1743–1803
Sketch of Mosque of Cordoba with Measurements of Mosque
1775 to 1776
75
Henry Swinburne, 1743–1803
Porto Azzurro
1777 to 1778
76
Henry Swinburne, 1743–1803
View of a City Harbor
undated
77
Henry Swinburne, 1743–1803
Aix la Chapelle
undated
78
Henry Swinburne, 1743–1803
Bagneres-de-Bigoree, France
undated
79
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
80
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
81
unknown artist
Building Plans and ornate Architectural Designs
undated
82
John Flaxman, 1755–1826
Trees in the Villa Negroni Planted by M. Angelo
undated
83
James Miller, active 1773–1814
House With Tree
undated
84
James Miller, active 1773–1814
View of a House
undated
85
James Miller, active 1773–1814
Tree amidst Houses
undated
86
Thomas Stothard, 1755–1834
Study of Caryatides for Statue of Sir Thomas of Monro
1806
87
James Paine, 1717–1789
Design for a Shop Front: Elevation
undated
88
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
89
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
90
unknown artist
Shed
undated
91
John Vanderbank, 1694–1739
Family Group
undated
92
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
93
Henry William Bunbury, 1750–1811
How to Ride without a Bridle
undated
94
Samuel Prout, 1783–1852
Fishing Boats on the Beach with Sails Drying
undated
95
unknown artist
A Snarling Dog Chained to Kennel
early 19th century
96
unknown artist
Horse on a Sea Shore, Tall Rock Behind
undated
97
unknown artist
Study of a Galloping Horse
undated
98
Thomas Stothard, 1755–1834
A Study for the Wellington Monument
undated
99
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
100
unknown artist
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710