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Materials & Techniques pen

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Period 18th century

Remove constraint Period: 18th century

Genre sporting art

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Hubert-François Gravelot Two Prize Fighters
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Parade de Seconde sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
James Gwin De la Parade de Prime sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Parade Dequinte sur le Coup de Quinte
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
James Gwin De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
James Gwin Du Coupé sur Pointe de Quarte en Quarte sur les Armes
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
James Gwin De la Passe en Quarte du Dehors des Armes
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
James Gwin De la Volte sur la Passe au Dehors des Armes
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
James Gwin Du Desarmement sur le Coup de Tierce
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
James Gwin Du Desarmement Aprés la Parade au Dehors des Armes
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
James Gwin Position de la Garde Italienne de L'Epée & Poignard
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
James Gwin De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
John Collet Stable Boy Holding a Horse in a Landscape
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour A Chestnut Horse at Exercise
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
James Seymour A Lady and a Gentleman Riding Out
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
James Seymour Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
James Seymour A Gentleman on a Managed Horse Riding Out With a Lady
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
James Seymour Victorious
James Seymour, 1702–1752
Victorious
undated
James Seymour Foxhunting
James Seymour, 1702–1752
Foxhunting
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
Samuel Howitt The Kill
Samuel Howitt, 1756–1822
The Kill
1792
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
unknown artist Morning
unknown artist
Morning
1799
unknown artist Evening
unknown artist
Evening
1799
unknown artist Mid-Day
unknown artist
Mid-Day
1799
Thomas Rowlandson Breakfast before the Hunt
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
James Seymour A Racehorse, Bridled and Saddled
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
James Seymour Riders and Hounds in an Open Landscape
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Collet A Game of Bowls
John Collet, ca. 1725–1780
A Game of Bowls
undated
James Seymour Conqueror Going to Start
James Seymour, 1702–1752
Conqueror Going to Start
undated
Louis Philippe Boitard Dosing a Racehorse
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
James Seymour Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
John Collet Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
Samuel Howitt Coursing: Setting Out
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
Samuel Howitt Coursing: The Kill
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
James Seymour A Boar Hunt
James Seymour, 1702–1752
A Boar Hunt
undated
James Seymour Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
James Seymour Foxhunter, with Jockey Up
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
James Seymour Kindly, with Jockey Up
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
Thomas Daniell Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
unknown artist Tattersall's Training School
unknown artist
Tattersall's Training School
1771
Thomas Rowlandson An English Postilion
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
Samuel Howitt Racing Scene
Samuel Howitt, 1756–1822
Racing Scene
1792
Edward Hull Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
Hubert-François Gravelot The Sporting Lady
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
Julius Caesar Ibbetson Skating in Hyde Park
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
Thomas Rowlandson The Return from the Hunt
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
George Garrard Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
Thomas Ross Netting Partridges
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
James Seymour Two Horses Racing, Jockeys Up: Railings in the Background
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
James Seymour Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
Frederick George Byron Shooting Party Setting Out
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
Frederick George Byron Shooting Party Returning Home
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Premiere Position du Salut
James Gwin, 1700–1769
Premiere Position du Salut
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Seconde Position du Salut
James Gwin, 1700–1769
Seconde Position du Salut
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Troisieme Position du Salut
James Gwin, 1700–1769
Troisieme Position du Salut
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin Du Desarmement Aprés Avoir Paré le Coup de Quarte
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Demi Volte sur les Coups Forcés au Dehors des Armes
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Position Aprés Avoir Desarmé sur le Coup de Quarte
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
James Gwin Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
James Gwin Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
Thomas Rowlandson A French Nobleman out Shooting
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
James Gwin Desseins Originaux des Attitudes Continuée dans L'École des Armes
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes
1763