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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
59
Creator
Gwin, James, 1700–1769
46
Bruce, James, 1730–1794
7
Balugani, Luigi Antonio Melchiorre, 1737–1771
2
Carter, John, 1748–1817
1
Gilpin, William, 1724–1804
1
Malton, Thomas the Younger, 1748–1804
1
Marlow, William, 1740–1813
1
Date
1867
311
1772
166
1832
144
1800
107
1771
87
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86
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71
1780
60
1763
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1790
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1802
53
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39
0
37
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36
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34
1795
33
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31
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26
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25
1805
24
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24
1857
24
1765
23
1768
23
1798
23
1861
20
1758
19
1777
19
1794
19
1810
19
1781
18
1797
18
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18
1801
18
1746
17
1788
17
1804
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1792
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1826
16
1690
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1748
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1761
15
1814
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1821
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1830
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1760
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1796
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14
1739
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1755
13
1807
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1770
12
1827
12
1863
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11
1749
11
1759
11
1764
11
1779
11
1783
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1784
11
1787
11
1813
11
1816
11
1834
11
1835
11
1778
10
1803
10
1811
10
1854
10
1730
9
1782
9
1806
9
1732
8
1754
8
1776
8
1819
8
1822
8
1747
7
1752
7
1809
7
1842
7
1900
7
1715
6
1718
6
1743
6
1757
6
1766
6
1767
6
1774
6
1808
6
1823
6
On-site Access
Accessible by appointment in the Study Room
59
Image Use
Free to Use
59
Image Available
Available
59
Classification
Drawings & Watercolors
57
Drawing & Watercolors-Architectural
2
Creator Gender
male
59
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
46
Period
18th century
57
18th century-19th century
2
Materials & Techniques
pen
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59
graphite
58
laid paper
58
black ink
52
gray wash
50
gray ink
47
watercolor
10
brown ink
6
gouache
2
etching (printing process)
1
vellum (skin)
1
wove paper
1
Height [cm]
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56
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81
Work Type
drawing
59
watercolor
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59
intaglio print
1
Genre
sporting art
46
animal art
5
architectural subject
4
botanical subject
2
landscape
2
cityscape
1
Subject Terms
animal art
5
architectural subject
4
landscape
2
trees
2
Gothic Revival
1
Grand Tour
1
boy
1
castle
1
chapels
1
cityscape
1
cushions
1
designs
1
hills
1
mountains
1
river
1
rocks (landforms)
1
stalls (religious building fixtures)
1
valley (landform)
1
vegetation
1
Associated Places
Banqueting House
1
Italy
1
Lazio
1
St. George's Church
1
Tivoli
1
Windsor Castle
1
Associated People
Jones, Inigo (1573–1652), architect and theatre designer
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
58
Yale Center for British Art, Gift of Arthur Weyhe
1
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Materials & Techniques
pen
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Date
1763
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watercolor
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1
William Marlow, 1740–1813
Tivoli
ca. 1768
2
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
3
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
4
James Bruce, 1730–1794
Dik-dik
ca. 1768
5
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
6
James Bruce, 1730–1794
Vulture
ca. 1768
7
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
8
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
9
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
10
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
11
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
12
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
13
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
14
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
15
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
16
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
17
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
18
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
19
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
20
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
21
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
22
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
23
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
24
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
25
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
26
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
27
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
28
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
29
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
30
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
31
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
32
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
33
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
34
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
35
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
36
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
37
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
38
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
39
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
40
James Gwin, 1700–1769
Premiere Position du Salut
1763
41
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
42
James Gwin, 1700–1769
Troisieme Position du Salut
1763
43
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
44
James Gwin, 1700–1769
Seconde Position du Salut
1763
45
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
46
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
47
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
48
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
49
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
50
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
51
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
52
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
53
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
54
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
55
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
56
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
57
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
58
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
59
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated