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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
45
Creator
Gilpin, William, 1724–1804
24
Bruce, James, 1730–1794
9
Gore, Charles, 1729–1807
2
Hogarth, William, 1697–1764
2
Swaine, Francis, 1730–1782
2
Adam, James, 1732–1794
1
Heckel, Augustin, 1690–1770
1
Paine, James, 1717–1789
1
Ross, Thomas, active from 1753
1
Sanderson, John, active 1730; died 1774
1
Unknown artist
1
Date
1867
315
1772
220
1832
167
1800
147
1785
127
1700
109
1758
98
1771
87
1802
86
1804
78
1775
72
1789
69
1795
68
1780
67
1790
66
1763
61
1738
52
1827
51
1762
48
1791
47
1817
47
1768
46
1745
[remove]
45
1839
44
1818
42
1777
41
1820
41
0
38
1786
38
1825
38
1717
36
1781
35
1805
34
1749
32
1765
32
1810
31
1748
30
1740
28
1751
25
1797
25
1801
25
1821
25
1798
24
1812
24
1857
24
1861
24
1826
23
1794
22
1799
21
1761
20
1770
20
1779
20
1830
20
1778
19
1806
19
1814
19
1875
19
1690
18
1788
18
1712
17
1746
17
1760
17
1792
17
1807
17
1715
16
1747
16
1755
16
1759
16
1783
16
1815
16
1752
15
1796
15
1816
15
1822
15
1834
15
1739
14
1784
14
1813
14
1750
13
1756
13
1764
13
1787
13
1863
13
1811
12
1829
12
1866
12
1730
11
1732
11
1803
11
1809
11
1823
11
1835
11
1842
11
1906
11
1932
11
1757
10
1782
10
1819
10
1854
10
1705
9
On-site Access
Accessible by appointment in the Study Room
45
Image Use
Free to Use
45
Image Available
Available
45
Classification
Drawings & Watercolors
42
Drawing & Watercolors-Architectural
3
Creator Gender
male
44
unknown
1
Collective Title
Views in the Levant
1
Period
18th century
43
18th century-19th century
2
Materials & Techniques
pen
[remove]
45
graphite
40
laid paper
40
gray wash
36
brown ink
26
black ink
19
brown wash
15
yellow wash
9
wove paper
6
watercolor
5
gray ink
4
orange wash
4
card
1
etching (printing process)
1
gouache
1
red chalk
1
scraping
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
65
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
99
Work Type
drawing
[remove]
45
watercolor
41
Genre
landscape
29
architectural subject
13
marine art
3
cityscape
2
animal art
1
historical subject
1
military art
1
religious and mythological subject
1
sporting art
1
Subject Terms
landscape
28
trees
23
mountains
21
architectural subject
13
figures
13
rocks (landforms)
9
columns (architectural elements)
8
lake
8
road
8
hills
7
temples
7
cliffs
6
ruins
6
travel
6
river
5
walking
5
Doric order
4
boats
4
castle
4
horses (animals)
4
more
Subject Terms
»
Associated Places
Paestum
7
Europe
4
England
3
United Kingdom
3
Dolomites
1
Dürrenstein
1
Germany
1
Hampshire
1
Hubertusburg
1
Italy
1
Leipzig
1
Levant
1
Norfolk
1
Saxony
1
South Tyrol
1
Spithead
1
Surrey
1
Thames
1
Trentino-Alto Adige
1
Walton
1
more
Associated Places
»
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
44
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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Date
1745
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1
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
Francis Swaine, 1730–1782
Fishing Boats
undated
4
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
5
Charles Gore, 1729–1807
View of Dürrenstein
undated
6
Charles Gore, 1729–1807
Hubertusburg Château
undated
7
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
8
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
9
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
10
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
11
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
12
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
13
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
14
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
15
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
16
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
17
James Bruce, 1730–1794
Temple ruins
undated
18
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
19
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
20
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
21
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
30
James Adam, 1732–1794
Landscape with River and Figures
undated
31
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
34
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
35
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
36
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
37
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
38
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
39
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
40
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
41
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
42
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
43
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
44
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
45
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748