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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
44
Creator
Gilpin, William, 1724–1804
24
Bruce, James, 1730–1794
9
Gore, Charles, 1729–1807
2
Hogarth, William, 1697–1764
2
Adam, James, 1732–1794
1
Heckel, Augustin, 1690–1770
1
Paine, James, 1717–1789
1
Ross, Thomas, active from 1753
1
Sanderson, John, active 1730; died 1774
1
Swaine, Francis, 1730–1782
1
Unknown artist
1
Date
1772
216
1800
144
1832
143
1785
125
1758
99
1771
87
1802
85
1700
84
1804
79
1795
68
1775
67
1780
67
1790
65
1763
61
1827
50
1768
46
1839
45
1745
[remove]
44
1817
44
1791
42
1818
42
0
38
1820
38
1786
37
1825
37
1717
36
1789
35
1805
35
1777
34
1781
34
1810
31
1765
29
1740
27
1797
25
1751
24
1801
24
1812
24
1861
24
1798
23
1826
23
1821
22
1799
21
1761
20
1762
20
1794
19
1806
19
1830
19
1690
18
1748
18
1857
18
1712
17
1778
17
1815
17
1715
16
1770
16
1779
16
1792
16
1796
16
1807
16
1814
16
1752
15
1759
15
1783
15
1834
15
1747
14
1750
14
1784
14
1813
14
1816
14
1822
14
1755
13
1764
13
1746
12
1756
12
1811
12
1829
12
1730
11
1732
11
1803
11
1819
11
1823
11
1842
11
1863
11
1739
10
1757
10
1787
10
1788
10
1809
10
1835
10
1705
9
1749
9
1754
9
1766
9
1728
8
1743
8
1774
8
1831
8
1838
8
1753
7
1760
7
On-site Access
Accessible by appointment in the Study Room
44
Image Use
Free to Use
44
Image Available
Available
44
Classification
Drawings & Watercolors
41
Drawing & Watercolors-Architectural
3
Creator Gender
male
43
unknown
1
Collective Title
Views in the Levant
1
Period
18th century
42
18th century-19th century
2
Materials & Techniques
pen
[remove]
44
graphite
39
laid paper
39
gray wash
35
brown ink
26
black ink
18
brown wash
15
yellow wash
9
wove paper
6
watercolor
5
gray ink
4
orange wash
4
card
1
etching (printing process)
1
gouache
1
red chalk
1
scraping
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
65
Width [cm]
Width [cm] range begin
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Current results range from
6
to
99
Work Type
drawing
44
watercolor
40
Genre
landscape
29
architectural subject
13
cityscape
2
marine art
2
animal art
1
historical subject
1
religious and mythological subject
1
sporting art
1
Subject Terms
landscape
28
trees
23
mountains
21
architectural subject
13
figures
13
rocks (landforms)
9
columns (architectural elements)
8
lake
8
road
8
hills
7
temples
7
cliffs
6
ruins
6
travel
6
river
5
walking
5
Doric order
4
castle
4
horses (animals)
4
journey
4
more
Subject Terms
»
Associated Places
Paestum
7
Europe
3
England
2
United Kingdom
2
Dolomites
1
Dürrenstein
1
Germany
1
Hubertusburg
1
Italy
1
Leipzig
1
Levant
1
Norfolk
1
Saxony
1
South Tyrol
1
Surrey
1
Thames
1
Trentino-Alto Adige
1
Walton
1
Wermsdorf
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
[remove]
44
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Materials & Techniques
pen
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Yale Center for British Art, Paul Mellon Collection
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Date
1745
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1
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
3
Charles Gore, 1729–1807
Hubertusburg Château
undated
4
Francis Swaine, 1730–1782
Fishing Boats
undated
5
Charles Gore, 1729–1807
View of Dürrenstein
undated
6
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
7
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
8
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
9
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
10
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
11
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
12
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
13
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
14
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
15
James Bruce, 1730–1794
Temple ruins
undated
16
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
17
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
18
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
19
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
20
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
21
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
34
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
35
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
36
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
37
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
38
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
39
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
40
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
41
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
42
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
43
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
44
James Adam, 1732–1794
Landscape with River and Figures
undated