Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
3
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
4
Joseph Mallord William Turner, 1775–1851
Squally Weather
between 1840 and 1845
Not on view
5
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
6
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
7
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
8
James Pollard, 1792–1867
Epsom Races: The Betting Post
1834 to 1835
Not on view
9
Edward Duncan, 1803–1882
Partridge Shooting
1830
Not on view
10
Edward William Cooke, 1811–1880
Toulon (?)
1845 or after 1863
Not on view
11
Edward Duncan, 1803–1882
Pheasant Shooting
1830
Not on view
12
James Ward, 1769–1859
The Midday Meal
ca. 1835
Not on view
13
James Ward, 1769–1859
The Straw Yard
1810
Not on view
14
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
15
James Ward, 1769–1859
Sketch for 'Gordale Scar'
between 1812 and 1814
Not on view
16
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
17
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
18
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
19
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant