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Materials & Techniques oil paint

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Height [cm] 20

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Ben Nicholson February 1957 (brown and grey)
Ben Nicholson, 1894–1982
February 1957 (brown and grey)
1957
Not on view
Francis Danby Study for 'Calypso's Grotto'
Francis Danby, 1793–1861
Study for 'Calypso's Grotto'
ca. 1843
Not on view
John Constable Barge below Flatford Lock
John Constable, 1776–1837
Barge below Flatford Lock
ca. 1810
Not on view
John Constable Hadleigh Castle
John Constable, 1776–1837
Hadleigh Castle
1828 to 1829
Not on view
John Constable East Bergholt Church
John Constable, 1776–1837
East Bergholt Church
1809
Not on view
John Constable Bardon Hill, Coleorton Hall
John Constable, 1776–1837
Bardon Hill, Coleorton Hall
ca. 1823
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
John Varley A View along the Thames towards Chelsea Old Church
John Varley, 1778–1842
A View along the Thames towards Chelsea Old Church
between 1810 and 1815
Not on view
Martin Theodore Ward Head of a Grey Arabian Horse
Martin Theodore Ward, 1799–1874
Head of a Grey Arabian Horse
between 1820 and 1830
Not on view
Dean Wolstenholme An Angler's Catch of Coarse Fish
Dean Wolstenholme, 1798–1882
An Angler's Catch of Coarse Fish
ca. 1850
Not on view
Richard Dadd Sailing Ships
Richard Dadd, 1817–1886
Sailing Ships
1861
Not on view
William Frederick Witherington Mid-Day Rest, Harvest
William Frederick Witherington, 1785–1865
Mid-Day Rest, Harvest
ca. 1840
Not on view
unknown artist Landscape with Trees, Building in left middle distance
unknown artist
Landscape with Trees, Building in left middle distance
early 19th century
Not on view
unknown artist Street with Church and Figures
unknown artist
Street with Church and Figures
1822 to 1825
Not on view
Abraham Solomon First Class—The Meeting. "And at first meeting loved."
Abraham Solomon, 1823–1862
First Class—The Meeting. "And at first meeting loved."
1855
Not on view
Abraham Solomon Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Abraham Solomon, 1823–1862
Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
1855
Not on view
James Smetham Evening Pasture
James Smetham, 1821–1889
Evening Pasture
ca. 1865
Not on view
Thomas Churchyard House in Woodbridge, Suffolk
Thomas Churchyard, 1798–1865
House in Woodbridge, Suffolk
1859
Not on view
Frederick W. Watts A View in Suffolk
Frederick W. Watts, 1800–1862
A View in Suffolk
ca. 1830
Not on view
John Webber The Harbour of Pulo Condere
John Webber, 1752–1793
The Harbour of Pulo Condere
1786
Not on view
Joseph Highmore Figures in a Tavern or Coffee House
Attributed to Joseph Highmore, 1692–1780
Figures in a Tavern or Coffee House
ca. 1725 or after 1750
Not on view
Richard Redgrave The Moorhen's Haunt
Richard Redgrave, 1804–1888
The Moorhen's Haunt
1846
Not on view
Sir Edwin Henry Landseer A Highland Landscape
Sir Edwin Henry Landseer, 1802–1873
A Highland Landscape
ca. 1830
Not on view
unknown artist Studies of Heads
unknown artist
Studies of Heads
ca. 1740
Not on view
John Linnell The Rest on the Flight into Egypt
John Linnell, 1792–1882
The Rest on the Flight into Egypt
ca. 1827
Not on view
William James Muller Hanham Lock on the Avon
William James Muller, 1812–1845
Hanham Lock on the Avon
ca. 1840
Not on view
Robert Smirke Abraham and Isaac (Abraham grasping Isaac's arm)
Robert Smirke, 1752–1845
Abraham and Isaac (Abraham grasping Isaac's arm)
undated
Robert Smirke Abraham and Isaac
Robert Smirke, 1752–1845
Abraham and Isaac
undated
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
Jacques-Laurent Agasse Saddled Gray Horse Walking
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822