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Materials & Techniques mezzotint
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Remove constraint Image Use: Free to UseSubject Terms crown of thorns
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1. Ecce Homo
- Date:
- undated
- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 8 5/16 × 6 5/16 inches (21.1 × 16 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- undated
- Materials & Techniques:
- Mezzotint on moderately thick, moderately textured, cream laid paper
- Dimensions:
- Sheet: 11 1/2 x 8 5/16 inches (29.2 x 21.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- between 1656 and 1675
- Materials & Techniques:
- Mezzotint on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 8 9/16 x 6 1/8 inches (21.8 x 15.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
4. De Begraving
- Date:
- ca. 1820
- Materials & Techniques:
- Mezzotint and etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 26 3/8 × 20 1/2 inches (67 × 52.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- undated
- Materials & Techniques:
- Mezzotint on medium, slightly textured, beige laid paper
- Dimensions:
- Sheet: 7 3/8 × 4 1/2 inches (18.7 × 11.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- ca. 1820
- Materials & Techniques:
- Mezzotint and etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 26 1/4 × 19 3/4 inches (66.7 × 50.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
7. Pieta
- Date:
- between 1681 and 1688
- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 5 11/16 × 6 15/16 inches (14.4 × 17.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund