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Materials & Techniques mezzotint

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Subject Terms choker

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Lady Mary Catharine Bertie
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1767
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 12 1/16 inches (42 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Courtship for Money
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1768
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Abington
Creator:
Print made by Elizabeth Judkins, active 1772–1775
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Heyday! Is This My Daughter Anne!
Creator:
Print made by Francis E. Adams, active ca.1760–1775
Date:
1773
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Mary Palmer
Creator:
Print made by William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/16 x 14 7/16 inches (48.4 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund