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Materials & Techniques mezzotint

Remove constraint Materials & Techniques: mezzotint

Credit Line Yale Center for British Art, Paul Mellon Fund

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Subject Terms bed

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Der Keusche Joseph - Joseph Castus
Creator:
Print made by Johann Philip Koch, ca. 1716–1796
Date:
undated
Materials & Techniques:
Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 19 3/4 inches (40.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Jupiter and Semele
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 7 7/8 inches (16.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lucretia Romana
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1678 and 1717
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 15/16 x 8 3/8 inches (30.4 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Annuciation
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 3 3/4 inches (14.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bathsheba Bringing Abishag to David
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 5/8 × 19 3/8 inches (65.1 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Morning

Morning
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Morning

Morning
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cupid and Psyche
Creator:
Print made by William Say, 1768–1834
Date:
1816
Materials & Techniques:
Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
King Lyncus Turned Into a Lynx by Ceres
Creator:
Print made by Jacob Gole, 1660–1737
Date:
between 1675 and 1700
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Phoebus and Leucothea
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/16 inches (18.1 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund