Materials & Techniques: line engraving / Subject Terms: trees - YCBA Collections Search Search Results

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

Edward Francis Finden, 1791–1857

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by George Cooke, 1781–1834

Tooting Church

1827

William Woollett, 1735–1785

Dido and Aeneas

1787

Print made by Gerard van der Gucht, 1696–1776

Tellicherry

1736

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

Simon François Ravenet, 1706–1774

The Good Samaritan

1772

Print made by A. Birrell, ca.1770–ca. 1820

John Home, Esq

1799

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Etched by Thomas Gainsborough, 1727–1788

The Gipsies

1764

Charles Grignion, 1717–1810

A View of the Bridge at Walton-on-Thames in Surrey

1752

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Christian Friedrich Duttenhoffer, 1778–1846

Solitude

1802

Print made by George Richmond, 1809–1896

The Shepherd

1827

William Woollett, 1735–1785

Snowden Hill

1775

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by Samuel Cousins, 1801–1887

Miss Croker

1828

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Stephen Frederick Gooden, 1892–1955

The Satyrs

1937

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by Austin, Robert, 1895-1973, 1895–1973

The Pack Bridge

1926

Print made by Austin, Robert, 1895-1973, 1895–1973

Girl at a Gate

between 1938 and 1939

Print made by Austin, Robert, 1895-1973, 1895–1973

Highbridge

1927

Print made by Austin, Robert, 1895-1973, 1895–1973

Zoutelande

1929

Print made by Sir David Young Cameron, 1865–1945

A Border Town

1894

Stephen Frederick Gooden, 1892–1955

The Rider on the Lion

1924

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

Print made by Samuel Cousins, 1801–1887

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Print made by William Woollett, 1735–1785

Solitude

1778

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

Print made by William Forrest, 1802–1889

Abbotsford

1836

Print made by William Richardson, active 1842–1877

Ashestiel

1835

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Samuel Bradshaw, 1830–1869

Borro Boedoor

1835

Print made by J. Sands, active ca. 1840

Entrance to the Valley of the Dhoon

1840

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Stephen Frederick Gooden, 1892–1955

Gargoyle

1933

Stephen Frederick Gooden, 1892–1955

Absalom

1923

Print made by Edward Bouverie-Hoyton, active 1930

Hedging and Ditching

1920s

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Materials & Techniques line engraving

Subject Terms trees

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Materials & Techniques line engraving

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