Materials & Techniques: line engraving / Subject Terms: children / Classification: Prints

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

Print made by William Blake, 1757–1827

I Want! I Want! (Plate 11)

1793

Print made by William Blake, 1757–1827

What is Man!, Frontispiece (Plate 1)

1793

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell (Plate 8)

1793

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Engraved by John Raphael Smith, 1752–1812

A Lady and Her Children Relieving a Cottager

1784

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

Print made by Samuel Cousins, 1801–1887

The Calmady Children

1835

Print made by Austin, Robert, 1895-1973, 1895–1973

Young Mother

1937

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

Print made by William Skelton, 1763–1848

Richard III: Act IV, Scene III, Tower of London

1795

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Print made by Samuel Cousins, 1801–1887

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734

Print made by Michael "Angelo" Rooker, 1746–1801

A View of the Prince's House at Kew

1776

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Subject Terms children

Classification Prints

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Subject Terms children

Classification Prints

Search Results