Materials & Techniques: line engraving / Image Use: Free to Use

Print made by Henry Hulsberg, active 1700s–died 1729

Design for a House in a "Theatrical Style" for Paul Methuen

undated

Engraved by John Raphael Smith, 1752–1812

A Lady and Her Children Relieving a Cottager

1784

Print made by Anker Smith, 1759–1819

Lady Elizabeth Grey's Interview with Edward IV

1816

Print made by James Neagle, 1760–1822

Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions

1810

Print made by Anker Smith, 1759–1819

Becket Assassinated

1811

Print made by William Bromley, 1769–1842

Cardinal Wolsey Receiving a Letter Sent by Henry VIII

1811

Print made by John Corner, 1788–1825

The Death Warrant Read to Mary Queen of Scots

1810

Print made by Philip Audinet, 1766–1837

The Death of Cardinal Wolsey

1811

Print made by Francesco Bartolozzi, 1728–1815

Trade Card for Thomas Sandby, Jr

1791

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Print made by unknown artist

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Print made by John Le Keux, 1783–1846

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Thomas A. Woolnoth, 1785–1857

Plate III: Crypt under St Stephen's Chapel

ca. 1836

Print made by Charles Grignion, 1717–1810

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

Print made by John Thomas Smith, 1766–1833

A Doorway in one of the Cellars Under the Old House of Lords

1804

Print made by unknown artist

Plate XXXIX: House of Commons as Fitted Up in 1835

ca. 1836

Print made by Henry Melville, active 1826–1841

The Kind Proroguing Parliament

1834

unknown artist

Exterior of Painted Chamber, North View

undated

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Thomas Sutherland, ca. 1785–1838

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

1811

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

John Goldar, 1729–1795

The Sacrifice

1767

John Goldar, 1729–1795

The Refusal

1768

Print made by William Woollett, 1735–1785

George the Third King of Great Britain &c &c &c

1763-1764

Francesco Bartolozzi, 1728–1815

Transitium S. Joseph

Print made by James Dobie, 1849–1911

Horae Serenae

1896

Print made by Jacobus Houbraken, 1698–1780

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by Jacobus Houbraken, 1698–1780

Robert Rich, 2nd Earl of Warwick

1747

Print made by Jacobus Houbraken, 1698–1780

James Graham Marquess of Montrose

1740

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by George Vertue, 1684–1756

William Cavendish of Newcastle

1739

Print made by Jacobus Houbraken, 1698–1780

Charles Lord Talbot, Lord High Chancellor

1739

Print made by Henry Winstanley, 1644–1703

Edystone Lighthouse

between 1699 and 1708

Print made by Francesco Bartolozzi, 1728–1815

Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

1798

Print made by Jacobus Houbraken, 1698–1780

William Russell, Earl of Bedford

1738

Print made by J. Miller, active 1769–1825

James Boswell in the Dress of a Corsican Chief

1769

unknown artist

John Flaxman

undated

Print made by unknown artist

Chairs to Mend

1812

Print made by Henry Lemon, 1823–1882

Saturday Night

ca. 1850

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by James Caldwall, 1739–1819

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Michael "Angelo" Rooker, 1746–1801

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

1775

Print made by Michael "Angelo" Rooker, 1746–1801

N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

1776

Print made by William Holl II, 1807–1871

Portrait of J.M.W. Turner

1859

Print made by Anker Smith, 1759–1819

Vortigern & Rowena

1816

Print made by Michael "Angelo" Rooker, 1746–1801

A View of the Prince's House at Kew

1776

Charles Robert Cockerell, 1788–1863

The Temple of Venus in the Port at Aegina: Elevations

1811

Print made by Wilson, active 1793

Fable XXI. The Rat-catcher and Cats

1793

Print made by Philip Audinet, 1766–1837

Fable XXV. The Scold and the Parrot

1793

Print made by Peter Mazell, active 1761–1797

Fable XXXVI. Pythagoras and the Countryman

1793

Print made by Wilson, active 1793

Fable XXXIX. The Father and Jupiter

1793

Print made by William Skelton, 1763–1848

Fable XXXII. The Two Owls and the Sparrow

1793

Print made by Philip Audinet, 1766–1837

Fable XLII. The Jugglers

1793

Print made by Peter Mazell, active 1761–1797

Fable XLIV. The Hound and the Huntsman

1793

Print made by Lovegrove, active 1793

Fable XXXIX. The Man and the Flea

1793

Print made by Bernard Baron, 1696–1762

Marriage à la Mode, Plate 3

1745

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 5

1745

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

Print made by Brown, active 1793

Title Page, Fables by John Gay

1793

Print made by W. Grainger, active 1793

Fable XIX. The Lion and the Cub

1793

Print made by William Skelton, 1763–1848

Fable XX. The Old Hen and the Cock

1793

Print made by William Skelton, 1763–1848

Fable XLVIII. The Gardener and the Hog

1793

Print made by Peter Mazell, active 1761–1797

Fable XLVII. The Court of Death

1793

Print made by W. Grainger, active 1793

Fable XLIII. The Council of Horses

1793

Print made by Wilson, active 1793

Fable XLVI. The Cur, the Horse, and the Shepherd's Dog

1793

Print made by John Russell, 1745–1806

Lunar Planisphere, Hypothetical Oblique Light

1806

Print made by Michael "Angelo" Rooker, 1746–1801

A View of Charlton near Woolwich in Kent

1775

Print made by John Russell, 1745–1806

Lunar Planisphere, Flat Light

1805

Print made by Herbert Bourne, ca. 1820–after 1885

The Butt, Shooting a Cherry

ca. 1869

Print made by Georg Dionysius Ehret, 1708–1770

The Banana Tree, Plate 16

1750

Published by Giovanni Giacomo de Rossi, 1627–1691

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

between 1546 and 1590