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Materials & Techniques line engraving

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1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

'Swift on His Downy Pinion Flies from Woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Swift on his downy pinion flies from woe' (Page 1)

'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ham Court, the Seat of John Martin, Esq.

Ham Court, the Seat of John Martin, Esq.
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer
Creator:
Print made by unknown artist
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 9 3/16 inches (14.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Ruins of the College of Lincluden

The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Elgin Cathedral, Morayshire

Elgin Cathedral, Morayshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Etching and line engraving; 2nd published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Hampton Court Palace, Herefordshire

Hampton Court Palace, Herefordshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. North East View of Dunster Castle, Somersetshire

North East View of Dunster Castle, Somersetshire
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Celadon and Amelia

Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

15. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Valle Crucis Abbey, Denbighshire

Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and line engraving; 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Reapers

Reapers
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving and stipple engraving with hand coloring
Dimensions:
Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Hampton Court Palace, Herefordshire

Hampton Court Palace, Herefordshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Shepherd

The Shepherd
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection