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Materials & Techniques line engraving

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John Horsburgh Ashestiel
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
William Miller Abbotsford
Print made by William Miller, 1796–1882
Abbotsford
1841
John Horsburgh Ashestiel
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
William Richardson Ashestiel
Print made by William Richardson, active 1842–1877
Ashestiel
1854 reprint
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
John Horsburgh Ashestiel
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
John Horsburgh Ashestiel
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834, reprinted 1851
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
William Miller Abbotsford
Print made by William Miller, 1796–1882
Abbotsford
1841
Michael "Angelo" Rooker Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
Print made by Michael "Angelo" Rooker, 1746–1801
Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
1775