Materials & Techniques: line engraving / Width [cm]: 49 - YCBA Collections Search Search Results

1. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

4. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

5. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving; second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Creator:: Robert Mitchell Meadows, Died before 1812
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Harewood House

Creator:: Print made by John Scott, 1774–1828
Date:: 1816
Materials & Techniques:: Line engraving, published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 1/4 inches (34.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Aske Hall

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 19 7/16 inches (33.2 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1818-1823
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 19 3/8 inches (30.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Wilton House

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1825
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 1/8 inches (33 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814-1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 19 1/8 inches (36.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. High Street, Edinburgh

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Bank of England Royal Exchange

Creator:: James H. Kernot, 1802–1858
Date:: 1800
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 9/16 × 19 3/8 inches (37 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Part of the Front of the Vestibule

Creator:: Print made by unknown artist
Date:: 1843
Materials & Techniques:: Line engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Picasso's Meninas

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1973
Materials & Techniques:: Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

25. The Lady in Black

Creator:: Print made by Sir Hubert von Herkomer, 1849–1914
Date:: 1888
Materials & Techniques:: Etching and line engraving on medium, smooth, beige wove paper
Dimensions:: Sheet: 21 1/4 × 19 3/8 inches (54 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

26. St. Michael's Mount, Cornwall

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Zurich

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Materials & Techniques line engraving

Width [cm] 49

Search Results

1. The Fourth Stage of Cruelty: The Reward of Cruelty

2. The First Stage of Cruelty: Children Torturing Animals

3. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

4. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

5. Mercury and Argus

6. Mercury and Argus

7. The Sportsman

8. Crossing the Brook

9. The Revolt of the Fleet, 1642

10. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

11. View of Oxford from the South Side of Heddington Hill

12. Harewood House

13. Aske Hall

14. Moss Dale Fall

15. Hornby Castle from Tatham Church

16. Wilton House

17. Boscastle, Cornwall

18. High Street, Edinburgh

19. Bank of England Royal Exchange

20. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

21. The Old Téméraire

22. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

23. Part of the Front of the Vestibule

24. Picasso's Meninas

25. The Lady in Black

26. St. Michael's Mount, Cornwall

27. Zurich