<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Width [cm] 46

Remove constraint Width [cm]: 46

Search Results

George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
John Henry Robinson The Mantilla
John Henry Robinson, 1796–1871
The Mantilla
1838
John Landseer High Force or Fall of Tees
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1821
John Scott Aysgarth Force
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
James Tibbits Willmore Tancarville
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
John Boydell The Boscawen and Sheerness Privateers
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
Sutton Nicholls Southampton or Bloomsbury Square
Sutton Nicholls, active 1725
Southampton or Bloomsbury Square
1754
John Boydell A View taken near Battersea Church looking towards Chelsea
John Boydell, 1720–1804
A View taken near Battersea Church looking towards Chelsea
1752
James Faed Sr. Shakespeare in His Study
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
unknown artist Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore
Print made by unknown artist
Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore
1821
John Pye Junction of the Greta and Tees at Rokeby
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
Samuel Rawle Brignall Church
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
Leopold Flameng Grolier with the Printer Aldus Manutius
Print made by Leopold Flameng, 1831–1911
Grolier with the Printer Aldus Manutius
1882
Edmund Turrell The Temple of Aphaia at Aegina: Elevations
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Elevations
undated
Nicolas Beatrizet Castello S. Angelo Di Roma
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Castello S. Angelo Di Roma
1602
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
James Basire II A View of Worcester College &c.
Print made by James Basire II, 1769–1822
A View of Worcester College &c
1804
James Basire II View of Exeter College, All Saints Church, &c. from the Turl
Print made by James Basire II, 1769–1822
View of Exeter College, All Saints Church, &c. from the Turl
1806
James Basire II View of the Cathedral of Christ Church, and Part of Corpus Christi College
Print made by James Basire II, 1769–1822
View of the Cathedral of Christ Church, and Part of Corpus Christi College
1811
Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
Theodore Casper von Furstenberg Head of St. John Baptist on a Charger
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Head of St. John Baptist on a Charger
ca. 1656
James H. Kernot Bank of England Royal Exchange
James H. Kernot, 1802–1858
Bank of England Royal Exchange
1800
James Basire II Inside View of the East End of Merton College Chapel
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
unknown artist A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
Print made by unknown artist
A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
1755
Samuel Middiman Hardraw Fall
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
Paul Fourdrinier A Sea Engagement between the English and Algerines
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Print made by Remi Parr, 1743–after 1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
Remi Parr The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Print made by Remi Parr, 1743–after 1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
Paul Fourdrinier Sweet William's Farewell to Black Eyed Susan
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
J. Carwitham An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Print made by J. Carwitham, active 1720–1740
An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..
1778
R. F. Cahusac Athenaeum
Print made by R. F. Cahusac, active 1830
Athenaeum
1830
James Tibbits Willmore Tancarville
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
James Basire II Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
James Basire II Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire II Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire II View of Exeter College, All Saints Church, &c. from the Turl
Print made by James Basire II, 1769–1822
View of Exeter College, All Saints Church, &c. from the Turl
1806
James Basire II Inside View of the Hall of Christ Church
Print made by James Basire II, 1769–1822
Inside View of the Hall of Christ Church
1807
Charles Mosley O the Roast Beef of Old England, &c.
Print made by Charles Mosley, c.1720–c.1770
O the Roast Beef of Old England, &c
1749
William Kentridge Study for ‘Atlas Procession'
Print made by William Kentridge, born 1955
Study for ‘Atlas Procession'
2000
William Chapman Ilfracombe, North Devon
Print made by William Chapman, 1817–1879
Ilfracombe, North Devon
between 1853 and 1874
William Miller The Bell Rock Lighthouse
Print made by William Miller, 1796–1882
The Bell Rock Lighthouse
1862
Joseph Hecht Deer
Joseph Hecht, 1891–1951
Deer
undated
Bernard Baron Marriage à la Mode, Plate 2
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 2
1745