Materials & Techniques: line engraving / Width [cm]: 33 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques line engraving

Width [cm] 33

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

John Landseer Orchard Bay

Print made by John Landseer, 1769–1852

Orchard Bay

1799

John Landseer Alum Bay and the Needles

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

John Landseer Orchard Bay

Print made by John Landseer, 1769–1852

Orchard Bay

1799

John Landseer Alum Bay and the Needles

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

George Cooke Crichton Castle

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Henry Le Keux High Street, Edinburgh

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Henry Le Keux Heriot's Hospital

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

William Miller Bass Rock

Print made by William Miller, 1796–1882

Bass Rock

1826

William Miller Pont-Neuf, Paris

Print made by William Miller, 1796–1882

Pont-Neuf, Paris

1835

William Bernard Cooke St. Michael's Mount, Cornwall

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

John Landseer Alum Bay, Isle of Wight

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

W. R. Smith Heriot's Hospital

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

Robert Wallis William Tell's Chapel

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1830

William Bernard Cooke Bodiham Castle, Sussex

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

George Cooke The Roman Forum, from the Tower of the Capitol

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818-1820

George Cooke The Roman Forum, from the Tower of the Capitol

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

William Miller Bass Rock

Print made by William Miller, 1796–1882

Bass Rock

1826

Thomas Higham Wilton House

Print made by Thomas Higham, 1796–1844

Wilton House

1825

John Horsburgh Bell Rock Lighthouse

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

Robert Wallis Linlithgow Palace

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

George Cooke Edinburgh, from the Calton Hill

Print made by George Cooke, 1781–1834

Edinburgh, from the Calton Hill

1820

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Samuel Cousins Master Henry Thomas Hope

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

William Henry Worthington Sir Humphrey Davy

Print made by William Henry Worthington, ca. 1790–active 1839

Sir Humphrey Davy

1827

George Cooke Lulworth Castle, Dorsetshire

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1820

William Bernard Cooke The Observatory at Rosehill, Sussex

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

William Bernard Cooke The Spot where Harold Fell

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

William Bernard Cooke The Vale of Ashburnham

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

William Bernard Cooke Crowhurst, Sussex

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

William Bernard Cooke Crowhurst, Sussex

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

William Bernard Cooke Vale of Heathfield, Sussex

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1818

William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

George Cooke The Roman Forum, from the Tower of the Capitol

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818-1820

John Byrne Rome from Monte Mario

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1820

George Cooke Naples, from the Mole

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

William Bernard Cooke The Observatory at Rosehill, Sussex

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

unknown artist Iani Quadrifrontis Templum in Foro Boario

Print made by unknown artist

Iani Quadrifrontis Templum in Foro Boario

1564

unknown artist Templi Ignoti, Sed ex eius Fragmentis

Print made by unknown artist

Templi Ignoti, Sed ex eius Fragmentis

between 1546 and 1562

unknown artist Theatrum Sive Coliseum Romanum

Print made by unknown artist

Theatrum Sive Coliseum Romanum

1547 to 1560

unknown artist A Ground Plan of Bermondsey Abbey

unknown artist

A Ground Plan of Bermondsey Abbey

1822

Bartholomew Howlett North Front of Bedford House, Bloomsbury Square

Bartholomew Howlett, 1767–1827

North Front of Bedford House, Bloomsbury Square

1822

James Heath "This is fairy gold, boy, and will prove so"

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Robert Brandard Château Hamelin

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

unknown artist A View of the Sea from the Palace of the Vice Roy at Naples

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

unknown artist A View of the Royal Palace at Naples

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Robert Wallis Palais at Blois

Print made by Robert Wallis, 1794–1878

Palais at Blois

1833

William Radclyffe St. Julian's, Tours

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833