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Materials & Techniques line engraving

Width [cm] 33

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Bernard Cooke Crowhurst, Sussex

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1819

William Bernard Cooke Battle Abbey, The spot where Harold Fell

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The spot where Harold Fell

1816

William Bernard Cooke Brightling Observatory

Print made by William Bernard Cooke, 1778–1855

Brightling Observatory

1816

William Bernard Cooke Battle Abbey, The Spot where Harold Fell

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

William Bernard Cooke Bodiham Castle, Sussex

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1816

William Bernard Cooke The Vale of Ashburnham

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1819

William Bernard Cooke Source of the Tamer and Torridge

Print made by William Bernard Cooke, 1778–1855

Source of the Tamer and Torridge

1816

George Cooke Crichton Castle

Print made by George Cooke, 1781–1834

Crichton Castle

1819

Henry Le Keux Heriot's Hospital

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

William Miller Great Yarmouth, Norfolk

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

William Miller Great Yarmouth, Norfolk

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

W. R. Smith Beaumaris, Isle of Anglesea

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

W. R. Smith Longships Lighthouse, Lands End

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Thomas Jeavons Lyme Regis, Norfolk

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

W. R. Smith Harlech Castle, North Wales

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

W. R. Smith Harlech Castle, North Wales

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

W. R. Smith Whitehaven, Cumberland

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

James Baylis Allen Castle Upnor, on the River Medway

Print made by James Baylis Allen, 1803–1876

Castle Upnor, on the River Medway

1833

Thomas Jeavons Worcester, Worcestershire

Print made by Thomas Jeavons, ca. 1800–1867

Worcester, Worcestershire

1836

James Baylis Allen Decline of Carthage

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Edward Goodall Ulysses Deriding Polyphemus

Print made by Edward Goodall, 1795–1870

Ulysses Deriding Polyphemus

between 1859 and 1861

Edward P. Brandard Apollo and Daphne in the Vale of Tempe

Print made by Edward P. Brandard, 1819–1898

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

Charles Cousen Abingdon

Print made by Charles Cousen, ca. 1819–1889

Abingdon

between 1859 and 1861

John Cousen Hannibal Crossing the Alps

Print made by John Cousen, 1804–1880

Hannibal Crossing the Alps

between 1859 and 1861

Lumb Stocks Apollo Killing the Python

Print made by Lumb Stocks, 1812–1892

Apollo Killing the Python

between 1859 and 1861

James Tibbits Willmore Dido and Aeneas

Print made by James Tibbits Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

Ebenezer Challis The Arch of Titus, Rome

Print made by Ebenezer Challis, active 1837–1859

The Arch of Titus, Rome

between 1859 and 1861

John Scott Aske Hall

Print made by John Scott, 1774–1828

Aske Hall

1821

James Mitchell Rat Hunters

James Mitchell, 1791–1852

Rat Hunters

1830

Amedeo Gabrielli Griselda Returning to her Father

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

James Charles Armytage Venice, the Bridge of Sighs

Print made by James Charles Armytage, 1802–1897

Venice, the Bridge of Sighs

between 1859 and 1861

Robert Brandard Whalers

Print made by Robert Brandard, 1805–1862

Whalers

between 1859 and 1861

William Miller Straits of Dover

Print made by William Miller, 1796–1882

Straits of Dover

1828

Thomas Jeavons Lyme Regis, Norfolk

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

W. R. Smith Whitehaven, Cumberland

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

Thomas Jeavons Kidwelly Castle, South Wales

Print made by Thomas Jeavons, ca. 1800–1867

Kidwelly Castle, South Wales

1837

W. R. Smith Lowestoffe, Suffolk

Print made by W. R. Smith, active 1819–1851

Lowestoffe, Suffolk

1837

William Radclyffe St. Julian's, Tours

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Robert Brandard Château Hamelin

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster

Print made by William Henry Toms, ca. 1700–ca. 1750

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

James Heath "This is fairy gold, boy, and will prove so"

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Jacobus Houbraken George Lord Digby Earl of Bristol

Print made by Jacobus Houbraken, 1698–1780

George Lord Digby Earl of Bristol

1738

Robert Wallis Palais at Blois

Print made by Robert Wallis, 1794–1878

Palais at Blois

1833

James Tibbits Willmore Lillebonne, Château

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

James Charles Armytage Troyes

Print made by James Charles Armytage, 1802–1897

Troyes

1834

Jacobus Houbraken James Graham Marquess of Montrose

Print made by Jacobus Houbraken, 1698–1780

James Graham Marquess of Montrose

1740

George Vertue Francis Earl of Bedford

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Jacobus Houbraken William Russell, Earl of Bedford

Print made by Jacobus Houbraken, 1698–1780

William Russell, Earl of Bedford

1738

unknown artist A View of the Sea from the Palace of the Vice Roy at Naples

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

unknown artist A View of the Royal Palace at Naples

Print made by unknown artist

A View of the Royal Palace at Naples

undated

James Charles Armytage Dutch Boats in a Gale

Print made by James Charles Armytage, 1802–1897

Dutch Boats in a Gale

between 1859 and 1861