The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
2
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
3
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
4
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
6
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
7
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
8
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
9
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
10
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
12
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
13
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
14
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
15
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
16
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
17
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
18
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
19
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
20
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
21
Print made by John Boydell, 1720–1804
Noon
1753
22
Print made by John Boydell, 1720–1804
A Calm
1754
23
Print made by Robert van Voerst, 1597–1636
Inigo Iones
ca. 1635
24
Print made by Paulus Pontius, 1603–1658
Nicolaus Rockox
1639
25
Print made by unknown artist
Philippus le Roy
ca. 1635
26
Print made by Wenceslaus Hollar, 1607–1677
Alathea Talbot
1646
27
Print made by Peeter Clouwet, 1629–1670
Christophorus vander Lamen
ca. 1635
28
Print made by Peeter Clouwet, 1629–1670
D. Anna Wake
ca. 1635
29
Print made by Robert van Voerst, 1597–1636
Christiano, Duci Brunsuicensi
ca. 1635
30
Jacobus Houbraken, 1698–1780
Lieutenant General Thomas Talmash
undated
31
Print made by Samuel Cousins, 1801–1887
Julia, Lady Peel
1832
32
Print made by Paulus Pontius, 1603–1658
Paulus Pontius
ca. 1635
33
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
34
George Vertue, 1684–1756
Lionel Cranfield Sackville, 1st Duke of Dorset
1732
35
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
36
Print made by Agostino Veneziano, active 1509–1536
Primum Tenplum Iovis in Capitolio
between 1514 and 1536
37
Print made by Ambrogio Brambilla, active ca. 1579–1599
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
38
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
39
Print made by Etienne Dupérac, ca. 1535–1604
Insula Tiberina
1582
40
Print made by Ambrogio Brambilla, active ca. 1579–1599
Insula Tiberina
1582
41
Print made by John Browne, 1741–1801
The Sportsman
1775
42
Jacobus Houbraken, 1698–1780
Thomas Fairfax, 3rd Lord Fairfax of Cameron
1738
43
Print made by George Dawe, 1781–1829
Miss Mary Anne Kirkley
1801
44
Print made by Johann Friedrich Bause, 1738–1814
Girl Smiling
1784
45
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1824
46
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
47
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
48
Print made by Edward Francis Finden, 1791–1857
Genoa
1832-1834
49
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
50
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
51
Print made by James Basire II, 1769–1822
South View of Christ Church, &c. from the Meadows
1799
52
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
53
Print made by James Basire II, 1769–1822
A View of Worcester College &c
1804
54
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
55
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
56
Print made by George Cooke, 1781–1834
Edinburgh Castle
1826
57
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour
1826
58
Print made by James C. Allen, active 1821–1831
Dunwich
ca. 1830
59
Robert Pollard, 1755–1838
The Hermitage of Warkworth
1787
60
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
61
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
62
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
63
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
64
Print made by Benjamin Green, ca. 1736–ca. 1800
Oxford Physic Garden
1766
65
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
66
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
67
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
68
Print made by William Woollett, 1735–1785
The Fishery
1768
69
Print made by Joseph Wood, 1720–1763 or 1764
The View from One Tree Hill in Greenwich Park
1744
70
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
71
Print made by Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
72
Print made by Francesco Bartolozzi, 1728–1815
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
1788
73
Print made by Edward Goodall, 1795–1870
Valombre
1834
74
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
75
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
76
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 4
1745
77
Print made by William Richardson, active 1842–1877
Crossing the Brook
between 1859 and 1861
78
Print made by Robert Wallis, 1794–1878
Lake of Lucerne
1854
79
Print made by Thomas Abiel Prior, 1809–1886
Zurich
1854
80
Print made by William Chapman, 1817–1879
The Straits of Dover
1863
81
Jacopo Barozzi da Vignola, 1507–1573
Regola delli Cinque Ordini d'Architettura, Libro d'Antonio Labacco Appartente a l'Architettura, Libro de Diversi Trophei Militari Cavati da gli Antichi, and Speculum Romanae
1544 to 1577
82
Print made by James Tibbits Willmore, 1800–1863
Venice - Bellini's Pictures being Conveyed to the Church of the Redentore
1858
83
Jacobus Houbraken, 1698–1780
Benjamin Johnson
1738
84
Print made by Mathieu Liart, 1736–1782
Cephalus lamenting the Death of Procris
1783
85
Print made by Mathieu Liart, 1736–1782
Venus Lamenting the Death of Adonis
1783
86
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 2
1745
87
Jacopo Barozzi da Vignola, 1507–1573
Speculum Romanae Magnificentiae
1563
88
Jacopo Barozzi da Vignola, 1507–1573
Speculum Romanae Magnificentiae
1563
89
Print made by Antonio Labacco, ca. 1495–after 1567
Speculum Romanae Magnificentiae
1559
90
Print made by Antonio Labacco, ca. 1495–after 1567
Speculum Romanae Magnificentiae
1559
91
Print made by Antonio Labacco, ca. 1495–after 1567
Speculum Romanae Magnificentiae
1559
92
Print made by Antonio Labacco, ca. 1495–after 1567
Speculum Romanae Magnificentiae
1559
93
Print made by Antonio Labacco, ca. 1495–after 1567
Speculum Romanae Magnificentiae
1559
94
Print made by Antonio Labacco, ca. 1495–after 1567