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Materials & Techniques line engraving

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Robert Brandard Château de la Mailleraie
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
James Basire II Cloisters of Whalley Abbey
Print made by James Basire II, 1769–1822
Cloisters of Whalley Abbey
1800
James Basire II The Sherburne Chapel in Mitton Church
Print made by James Basire II, 1769–1822
The Sherburne Chapel in Mitton Church
1801
James Basire II Stonyhurst
Print made by James Basire II, 1769–1822
Stonyhurst
1801
William Bernard Cooke Lulworth Cove, Dorset
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
James Basire II Distant View of Whalley Abbey
Print made by James Basire II, 1769–1822
Distant View of Whalley Abbey
1800
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
Robert Brandard Gosport, Entrance to Portsmouth Harbour
Print made by Robert Brandard, 1805–1862
Gosport, Entrance to Portsmouth Harbour
1831
George Cooke Antiquities at Pola, Frontispiece
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
ca. 1818
James Tibbits Willmore Ancient Italy
Print made by James Tibbits Willmore, 1800–1863
Ancient Italy
between 1859 and 1861
John Cousen Calais Pier
Print made by John Cousen, 1804–1880
Calais Pier
between 1859 and 1861
Charles Robert Cockerell The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave
1860