Materials & Techniques: line engraving / Image Available: Available / Width [cm]: 65

George Vertue, 1684–1756

King Edward VI presenting the Charter for Bridewell to Sir George Barnes

1750

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Robert Pollard, 1755–1838

Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

1790

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Print made by James Tibbits Willmore, 1800–1863

Ancient Italy

1842

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by Robert Pollard, 1755–1838

View of Hanover Square

1787

Francis David Soiron, Born 1764

The Promenade in St. James's Park

1793

Print made by Robert Pollard, 1755–1838

View of London Bloomsbury Square

1787