Materials & Techniques: line engraving / Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) / Subject Terms: landscape (representation)

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Materials & Techniques line engraving

Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Subject Terms landscape (representation)

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by William Radclyffe, 1780–1855

Nineveh, Moussul on the Tigris

1836

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by W. R. Smith, active 1819–1851

Roslin Castle

ca. 1822

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

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