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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
22
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
22
Goodall, Edward, 1795–1870
8
Wallis, Robert, 1794–1878
7
Radclyffe, William, 1780–1855
4
Miller, William, 1796–1882
2
Kernot, James H., 1802–1858
1
Date
1835
83
1833
60
1834
55
1836
25
1830
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22
1832
22
1827
19
1837
18
1818
16
1828
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1831
16
1795
14
1859
13
1715
11
1820
11
1842
8
1796
6
1804
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1805
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1819
5
1824
5
1825
5
1829
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1797
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1800
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1822
4
1826
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1839
4
1745
3
1771
3
1794
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1798
3
1803
3
1808
3
1810
3
1776
2
1787
2
1806
2
1812
2
1838
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1840
2
1841
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1845
2
1846
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1855
2
1642
1
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1700
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1713
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1730
1
1732
1
1744
1
1755
1
1761
1
1778
1
1789
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1801
1
1811
1
1814
1
1850
1
1854
1
1858
1
1863
1
1874
1
1875
1
1885
1
1930
1
1933
1
1938
1
On-site Access
Accessible in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
22
Classification
Prints
22
Creator Gender
male
22
Collective Title
Rogers's Italy
11
Picturesque Views in England and Wales
7
The Keepsake
4
Period
19th century
22
Materials & Techniques
line engraving
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22
wove paper
20
etching (printing process)
12
chine collé
5
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57
Work Type
intaglio print
22
Genre
cityscape
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22
landscape
11
architectural subject
7
animal art
3
marine art
2
Subject Terms
architectural subject
4
church
4
château
4
cityscape
4
river
4
Associated Places
Church of Saint Pierre-du-Marais
4
Château de Saumur
4
Europe
4
France
4
Loire
4
Maine-et-Loire
4
Pays de la Loire
4
Pont Cessart
4
Saumur
4
Exhibition History
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
22
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Materials & Techniques
line engraving
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Date
1830
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cityscape
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1
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1830
2
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1830
3
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
4
Print made by James H. Kernot, 1802–1858
St. Mawes, Cornwall
1830
5
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
6
Print made by Edward Goodall, 1795–1870
Florence
1830
7
Print made by Robert Wallis, 1794–1878
Saumur
1830
8
Print made by Robert Wallis, 1794–1878
Saumur
1830
9
Print made by Edward Goodall, 1795–1870
Venice
1830
10
Print made by Edward Goodall, 1795–1870
Venice
1830
11
Print made by Edward Goodall, 1795–1870
Florence
1830
12
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
13
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
14
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
15
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
16
Print made by Edward Goodall, 1795–1870
Florence
1830
17
Print made by Edward Goodall, 1795–1870
Florence
1830
18
Print made by Edward Goodall, 1795–1870
Venice
1830
19
Print made by Edward Goodall, 1795–1870
Venice
1830
20
Print made by Robert Wallis, 1794–1878
Saumur
1830
21
Print made by Robert Wallis, 1794–1878
Saumur
1830
22
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830