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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
17
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
17
Goodall, Edward, 1795–1870
5
Brandard, Robert, 1805–1862
4
Wallis, Robert, 1794–1878
3
Allen, James C., active 1821–1831
2
Varrall, J. C., active 1815–1827
2
Smith, William R., active 1819–1851
1
Date
1830
66
1834
40
1814
21
1827
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17
1829
16
1825
14
1832
11
1835
11
1831
10
1833
9
1818
8
1820
8
1828
8
1819
6
1797
5
1821
4
1822
4
1824
4
1826
4
1859
4
1715
3
1816
3
1805
2
1811
2
1823
2
1836
2
1838
2
1514
1
1650
1
1739
1
1747
1
1760
1
1763
1
1790
1
1792
1
1800
1
1801
1
1810
1
1812
1
1817
1
1837
1
1850
1
1860
1
1875
1
On-site Access
Accessible by appointment in the Study Room
17
Image Use
Free to Use
17
Image Available
Available
17
Classification
Prints
17
Creator Gender
male
17
Collective Title
Picturesque Views in England and Wales
14
Rogers's Italy
1
Period
19th century
16
Materials & Techniques
line engraving
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17
wove paper
17
etching (printing process)
15
chine collé
11
Height [cm]
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43
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45
Work Type
intaglio print
17
Genre
cityscape
10
landscape
9
marine art
7
architectural subject
6
Subject Terms
river
5
cityscape
3
architectural subject
2
church
2
landscape (representation)
2
abbey
1
marine art
1
mountain
1
tower (single built work)
1
waterfall
1
Associated Places
United Kingdom
3
England
2
Europe
2
London
2
St. Magnus the Martyr Church
2
St. Paul's Cathedral
2
Thames
2
The Custom House
2
Alde
1
Aldeburgh
1
Bolton Abbey
1
Durham
1
High Force
1
Middleton in Teesdale
1
North Yorkshire
1
Pennines
1
Slaughden Martello Tower
1
Suffolk
1
Tees
1
Wharfe
1
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Associated Places
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Exhibition History
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
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Materials & Techniques
line engraving
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Date
1827
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Width [cm]
31
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1
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
2
Print made by James C. Allen, active 1821–1831
The Custom House
1827
3
Print made by James C. Allen, active 1821–1831
The Custom House
1827
4
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
5
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
6
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
7
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
8
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
9
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
10
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
11
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
12
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
13
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827
14
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
15
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
16
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
17
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827