Materials & Techniques: line engraving / Date: 1827 / Height [cm]: 24

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Materials & Techniques line engraving

Date 1827

Height [cm] 24

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

Print made by William Blake, 1757–1827

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

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