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Collection
Prints and Drawings
54
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
30
Blake, William, 1757–1827
20
Cooke, George, 1781–1834
6
Wallis, Robert, 1794–1878
5
Goodall, Edward, 1795–1870
4
Lupton, Thomas Goff, 1791–1873
4
Miller, William, 1796–1882
4
Finden, Edward Francis, 1791–1857
2
Griffiths, Henry, 1835–1849
2
Willmore, James Tibbits, 1800–1863
2
Cooper, Robert, active ca. 1800–1836
1
Cousins, Samuel, 1801–1887
1
Edwards, William Camden, 1777–1855
1
Graves, Robert, 1798–1873
1
Harding, George Perfect, 1780–1853
1
Hilliard, Nicholas, ca. 1547–1619
1
Lawrence, Thomas, Sir, 1769–1830
1
Major, John, active 1828–1833
1
Mor, Antonis, 1517–1577
1
Radclyffe, William, 1780–1855
1
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Date
1834
391
1835
212
1833
179
1630
155
1830
146
1793
103
1837
102
1836
97
1832
82
1818
65
1859
65
1797
61
1745
60
1792
59
1827
56
1800
55
1826
[remove]
54
1814
49
1828
49
1831
49
1795
47
1821
37
1563
35
1825
32
1820
31
1838
31
1568
30
1743
29
1816
29
1822
29
1811
28
1839
28
1794
27
1829
27
1780
25
1799
25
1842
25
1775
24
1810
24
1819
24
1559
23
1642
23
1787
23
1803
23
1776
22
1790
20
1628
19
1700
19
1812
19
1715
18
1805
18
1762
17
1765
17
1788
17
1747
16
1773
16
1782
16
1785
16
1796
16
1801
16
1804
16
1824
16
1618
15
1789
15
1553
14
1772
14
1544
13
1546
13
1750
13
1784
13
1844
13
1739
12
1763
12
1764
12
1779
12
1783
12
1802
12
1813
12
1840
12
1778
11
1786
11
1798
11
1732
10
1738
10
1754
10
1768
10
1823
10
1841
10
1845
10
1736
9
1753
9
1755
9
1771
9
1791
9
1809
9
1815
9
1574
8
1752
8
1767
8
1781
8
On-site Access
Accessible by appointment in the Study Room
54
Image Use
Free to Use
54
Image Available
Available
54
Classification
Prints
54
Creator Gender
male
54
unknown
1
Collective Title
For the Sexes: The Gates of Paradise, Copy G
20
The Keepsake
8
Cooke's Picturesque Views of the Southern Coast of England
6
Provincial Antiquities and Picturesque Scenery of Scotland
6
The Literary Souvenir
5
The Ports of England
4
The Amulet
1
Period
19th century
54
Materials & Techniques
line engraving
[remove]
54
wove paper
50
etching (printing process)
34
chine collé
17
stipple engraving
4
laid paper
2
letterpress printing
2
mezzotint
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
51
Unknown
2
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
4
to
50
Unknown
2
Work Type
intaglio print
54
relief print
2
frontispiece
1
Genre
literary theme
20
religious and mythological subject
20
landscape
16
marine art
15
military art
10
cityscape
4
portrait
4
architectural subject
3
genre subject
3
sporting art
1
Subject Terms
literary theme
20
religious and mythological subject
20
text
17
men
12
children
9
nudes
9
river
8
landscape (representation)
7
beard
6
leaf
6
trees
6
marine art
5
hat
4
night
4
portrait
4
sitting
4
wings
4
angel
3
branches
3
cane
3
more
Subject Terms
»
Associated Places
United Kingdom
10
England
7
North Yorkshire
5
Europe
3
France
3
London
3
North Sea
3
Richmond
3
Richmond Hill
3
Richmond Park
3
Scotland
3
Thames
3
Wharfedale
3
Bass Rock
2
Bass Rock Castle
2
Bolton Abbey
2
Château du Bouffay
2
East Lothian
2
English Channel
2
Forth, Firth of
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Acland, Arthur (1811–1857)
1
Acland, Lydia Elizabeth Dyke (1786–1856)
1
Acland, Sir Thomas Dyke, eleventh baronet (1809–1898), politician and educational reformer
1
Esdaile, William (1758–1837), banker and print collector
1
Hilliard, Nicholas (ca. 1547–1619), miniature painter
1
Mor, Antonis (born 1512–1516, died ca. 1576), portrait painter
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
52
Yale Center for British Art, Paul Mellon Fund
2
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Materials & Techniques
line engraving
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Date
1826
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1
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
2
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
3
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
4
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
5
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
6
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
7
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
8
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
9
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
10
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
11
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
12
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
13
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
14
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
15
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
16
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
17
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
18
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
19
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
20
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
21
Print made by Thomas Goff Lupton, 1791–1873
Wrapper to 'Ports of England'
1826
22
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826
23
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826-1832
24
Print made by George Cooke, 1781–1834
Edinburgh Castle
1826
25
Print made by Edward Francis Finden, 1791–1857
Bolton Abbey, Wharfdale
1826
26
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour
1826
27
Print made by Thomas Goff Lupton, 1791–1873
Wrapper and Title Page to 'Ports of England'
1826
28
Print made by Thomas Goff Lupton, 1791–1873
Wrapper to 'Ports of England'
1826
29
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1826
30
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
31
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
32
Print made by Robert Graves, 1798–1873
William Esdaile
1826
33
Print made by Samuel Cousins, 1801–1887
Lady Acland and Children
1826
34
Print made by William Miller, 1796–1882
Bass Rock
1826
35
Print made by William Miller, 1796–1882
Bass Rock
1826
36
Print made by George Cooke, 1781–1834
Edinburgh Castle
1826
37
Print made by William Radclyffe, 1780–1855
Deal, Kent
1826
38
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
39
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
40
Print made by William Miller, 1796–1882
Palace of La Belle Gabrielle
1826-1837
41
Print made by Henry Griffiths, 1835–1849
The Wreck
1826-1837
42
Print made by Thomas Goff Lupton, 1791–1873
Wrapper to 'Ports of England'
1826
43
Print made by Robert Wallis, 1794–1878
1826
44
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826
45
Print made by James Tibbits Willmore, 1800–1863
Nantes
1826-1837
46
Print made by Henry Griffiths, 1835–1849
The Wreck
1826-1837
47
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 2
1826-1837
48
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1826-1837
49
William Camden Edwards, 1777–1855
Nicholas Hilliard
1826
50
Print made by Robert Cooper, active ca. 1800–1836
A. More
1826
51
Print made by Edward Francis Finden, 1791–1857
Bolton Abbey, Wharfdale
1826
52
Print made by James Tibbits Willmore, 1800–1863
Nantes
1826-1837
53
Print made by William Miller, 1796–1882
Palace of La Belle Gabrielle
1826-1837
54
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1826-1837