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Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingDate 1797
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1
- Night the First. On Life, Death and Immortality; Title Page
- 1797
2
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
3
- 'We censure nature for a span too short' (Page 23)
- 1797
4
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
5
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
6
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
7
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
8
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
9
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
10
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
11
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
12
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
13
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
14
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
15
- 'Disease invades the chastest temperence' (Page 10)
- 1797
16
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
17
- 'The present moment terminates our sight' (Page 13)
- 1797
18
- 'The longest night though longer far, would fail' (Page 15)
- 1797
19
- Night the Third. Narcissa; Title Page
- 1797
20
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
21
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
22
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
23
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
24
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
25
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
26
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
27
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
28
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
29
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
30
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
31
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
32
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
33
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
34
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
35
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
36
- The Christian Triumph; Title Page
- 1797
37
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
38
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
39
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
40
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
41
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
42
- Ticket for the Benefit of Madame Banti
- 1797
43
- Ticket for the Benefit of Madame Banti
- 1797
44
- Abraham Entertaining Three Angels, Genesis 18, v. 1
- 1797
45
- Jacob's Vision, Genesis 28, v. II
- 1797
46
- "Tempest", Act I, Scene I
- 1797
47
- John Smith, D.D.F.S.A
- 1797
48
- Ely
- 1797
49
- Westminster Bridge
- 1797
50
- Carlisle
- 1797
51
- Elgin Cathedral, Morayshire
- 1797
52
- Hampton Court Palace, Herefordshire
- 1797
53
- Grantham Church
- 1797
54
- Flint, from Park-Gate
- 1797
55
- His Majesty Reviewing His Troops on Black Heath
- 1797
56
- Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
- 1797
57
- Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
- 1797
58
- Portrait de Van-Dyck
- undated
59
- Westminster Bridge
- 1797
60
- Hampton Court Palace, Herefordshire
- 1797
61
- The Birth of Pyrrhus
- 1797