Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: woman

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

1787

Print made by James Walker, 1748–1808

Chester

1796

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Print made by Thomas Tagg, died 1809

Northampton

1796

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Ely

1797

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by John Walker, active 1792–1803

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Carlisle

1797

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by George Murray, died 1822

Bath

1795

Print made by James S. Storer, 1771–1853

Chelsea Hospital

1795

Print made by Thomas Rothwell, ca. 1742–1807

Guildford

1795

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by John Landseer, 1769–1852

Shanklin Castle

1799

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Thomas Tagg, died 1809

Bristol

1796

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by Samuel Rawle, 1771–1860

South West View of Dunster Castle, Somersetshire

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by Placido Columbani, born ca. 1744, active 1801

At the Villa Aldobrandini at Rome

undated

Print made by James Walker, 1748–1808

Bridgenorth

1795

Francesco Bartolozzi, 1728–1815

Mrs. Abington As Thalia

1783

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Walker's Lectures

1794

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819

A Ladies Maid Purchasing a Leek

1772

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Francesco Bartolozzi, 1728–1815

The Watercress Girl

1796

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Francesco Bartolozzi, 1728–1815

Lady Gertrude, Marchioness of Halifax

1776

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Print made by Francesco Bartolozzi, 1728–1815

Lady Gertrude, Marchioness of Halifax

1776

Print made by Lucas Vorsterman I, 1595–1675

Isabella Clara Eugenia

ca. 1635

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Alexander Bannerman, ca. 1730–1780

George Jamesone

undated

Alexander Bannerman, ca. 1730–1780

La Soeur

undated

Print made by Pierre Audouin, 1768–1822

Angelica Kauffman

undated

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiæ, Apollo and the Sibyl

1873

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms woman

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms woman

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