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Materials & Techniques line engraving

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1827

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1. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Ciampolo the Barrator Tormented by the Devils (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Pit of Disease: The Falsifiers (Plate 6)

The Pit of Disease: The Falsifiers (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Serpent Attacking Buoso Donati (Plate 5)

The Serpent Attacking Buoso Donati (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Baffled Devils Fighting (Plate 3)

The Baffled Devils Fighting (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Dante Striking against Bocca Degli Abati (Plate 7)

Dante Striking against Bocca Degli Abati (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Old London Bridge and Vicinity

Old London Bridge and Vicinity
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Walton Bridge on Thames, Surrey

Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with chine collé and graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Nicholas Revett

Nicholas Revett
Creator:
William Camden Edwards, 1777–1855
Date:
1827
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.4 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. St. Maurice

St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Aldborough, Suffolk

Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Florence, from San Miniato

Florence, from San Miniato
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Orford, Suffolk

Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Shepherd

The Shepherd
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Tooting Church

Tooting Church
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. St. Maurice

St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 1/4 inches (43.2 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Florence, from San Miniato

Florence, from San Miniato
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Florence, from San Miniato

Florence, from San Miniato
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Althorp Castle, Northamptonshire

Althorp Castle, Northamptonshire
Creator:
James Redway, active 1827–1838
Date:
undated
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Buckfastleigh Abbey, Devonshire

Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. St. Giles' Catholic Church: Elevation of the Steeple

St. Giles' Catholic Church: Elevation of the Steeple
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Fall of the Tees, Yorkshire

Fall of the Tees, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 12 inches (24.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Aldborough, Suffolk

Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Orford, Suffolk

Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 12 1/2 inches (25.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Orford, Suffolk

Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Aldborough, Suffolk

Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Orford, Suffolk

Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 2nd published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Dartmouth Cove

Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Bolton Abbey, Yorkshire

Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 11/16 inches (27.6 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 3/4 inches (24.4 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 3/8 inches (27.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Fall of the Tees, Yorkshire

Fall of the Tees, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Illustrations to Dante's Divine Comedy

No cover image available
Creator:
Prints made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Collecton of seven line engravings on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection