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Materials & Techniques line engraving

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William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
unknown artist The Methodist Tailor Caught in Adultery
Print made by unknown artist
The Methodist Tailor Caught in Adultery
1768
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845
Taming of the Shrew
1821
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
James Caldwall The Cotillion Dance
Print made by James Caldwall, 1739–1819
The Cotillion Dance
1771
Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
James Charles Armytage The Balcony
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
Joseph Collyer David Hume
Print made by Joseph Collyer, 1748–1827
David Hume
undated
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
Jacques Bouillard Franciscus Bartolozzi
Print made by Jacques Bouillard, 1744–1806
Franciscus Bartolozzi
undated
Charles Grignion Britannia Allegory
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
Austin, Robert, 1895-1973 Four Friends
Print made by Austin, Robert, 1895-1973, 1895–1973
Four Friends
1947
Austin, Robert, 1895-1973 Still Life, Perugia
Print made by Austin, Robert, 1895-1973, 1895–1973
Still Life, Perugia
1933
Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
James Caldwall Hagley Hall
Print made by James Caldwall, 1739–1819
Hagley Hall
undated
Placido Columbani At the City of Albano
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Francesco Bartolozzi Ticket: Mr. Cox's Museum
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Mr. Cox's Museum
1772
unknown artist Messrs. Morgan & Sanders, Catherine St., Strand
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
Placido Columbani At Rome
Placido Columbani, born ca. 1744, active 1801
At Rome
undated
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
Simon François Ravenet The Pool of Bethesda
Simon François Ravenet, 1706–1774
The Pool of Bethesda
1772
William John Cooke Worcester
Print made by William John Cooke, 1797–1865
Worcester
undated
Austin, Robert, 1895-1973 Wood Carriers
Print made by Austin, Robert, 1895-1973, 1895–1973
Wood Carriers
1932
William Sharp Niobe
Figures engraved by William Sharp, 1749–1824
Niobe
1792
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
Robert Pollard View of Queen Square
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
unknown artist A View of the Piazza Navona in the City of Rome
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
unknown artist A View of the Piazza del Popolo in the City of Rome
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
unknown artist Spanish Palace at Naples
Print made by unknown artist
Spanish Palace at Naples
undated
unknown artist A View of the Royal Palace at Naples
Print made by unknown artist
A View of the Royal Palace at Naples
undated
unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea
Print made by unknown artist
A View of Part of the Royal Gardens at Naples Towards the Sea
undated
Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Charles Grignion, 1717–1810
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated