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Materials & Techniques line engraving

Collection Prints and Drawings

George Stubbs A Horse Affrighted by a Lion

Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1777

George Stubbs Plate VIII, Human Body, Posterior View

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

George Stubbs Plate X, Fowl Body, Lateral View

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Robert Wallis Taj Mahal, Agra

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

William Hogarth Hogarth Painting the Comic Muse

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

William Hogarth A Rake's Progress, Plate VII: In Fleet Street Prison

Print made by William Hogarth, 1697–1764

A Rake's Progress, Plate VII: In Fleet Street Prison

1735

William Hogarth The First Stage of Cruelty: Children Torturing Animals

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

William Hogarth The Bruiser

William Hogarth, 1697–1764

The Bruiser

1763

William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

Print made by William Hogarth, 1697–1764

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

Print made by William Hogarth, 1697–1764

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

Print made by William Hogarth, 1697–1764

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

Print made by William Hogarth, 1697–1764

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

Print made by William Hogarth, 1697–1764

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

Print made by William Hogarth, 1697–1764

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

Print made by William Hogarth, 1697–1764

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn

Print made by William Hogarth, 1697–1764

Plate 11, The Idle 'Prentice Executed at Tyburn

1747

William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

Print made by William Hogarth, 1697–1764

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London

Print made by William Hogarth, 1697–1764

Plate 12, The Industrious 'Prentice Lord Mayor of London

1747

William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

Print made by William Hogarth, 1697–1764

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

William Hogarth Simon Lord Lovat

Print made by William Hogarth, 1697–1764

Simon Lord Lovat

1746

William Hogarth Plate 1, The Fellow 'Prentices at their Looms

Print made by William Hogarth, 1697–1764

Plate 1, The Fellow 'Prentices at their Looms

1747

William Hogarth Marriage à la Mode, Plate 6

Print made by William Hogarth, 1697–1764

Marriage à la Mode, Plate 6

1745

William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

Joseph Mallord William Turner Crowhurst

Print made by Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

Joseph Mallord William Turner Little Devil's Bridge over the Russ above Altdorft, Switzerland

Print made by Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

Joseph Mallord William Turner Sheep Washing, Windsor

Print made by Joseph Mallord William Turner, 1775–1851

Sheep Washing, Windsor

1812

Joseph Mallord William Turner Hedging and Ditching

Print made by Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

Joseph Mallord William Turner Scene in the Campagna

Print made by Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

William Blake Title Page, For Children. The Gates of Paradise (Plate 2)

Print made by William Blake, 1757–1827

Title Page, For Children. The Gates of Paradise (Plate 2)

1793

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1793

William Blake Help! Help! (Plate 12)

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1793

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake The Traveller Hasteth in the Evening (Plate 16)

Print made by William Blake, 1757–1827

The Traveller Hasteth in the Evening (Plate 16)

1793

William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

1793

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake What is Man!, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

What is Man!, Frontispiece (Plate 1)

1793

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1793

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell (Plate 8)

1793

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Print made by William Blake, 1757–1827

Thomas Hayley, the Disciple of John Flaxman, from a Medallion

1800

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake Frontispiece, "What is Man!" (Plate 2)

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake The Serpent Attacking Buoso Donati (Plate 5)

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

William Blake Dante Striking against Bocca Degli Abati (Plate 7)

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

William Blake Ciampolo the Barrator Tormented by the Devils (Plate 2)

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

William Blake The Pit of Disease: The Falsifiers (Plate 6)

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

Print made by William Blake, 1757–1827

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

1827

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797