Materials & Techniques: line engraving / Creator Gender: male / Subject Terms: tree

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by James Walker, 1748–1808

Rochester

1794

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by Thomas Tagg, died 1809

Cambridge

1795

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by George Murray, died 1822

Bath

1795

Print made by George Murray, died 1822

Neath

1795

Print made by James S. Storer, 1771–1853

Birmingham

1795

Print made by Thomas Rothwell, ca. 1742–1807

Guildford

1795

Print made by Thomas Tagg, died 1809

Northampton

1796

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by James Walker, 1748–1808

Chester

1796

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by James Basire II, 1769–1822

View of the Cathedral of Christ Church, and Part of Corpus Christi College

1808

Print made by James Basire II, 1769–1822

View of the Cathedral of Christ Church, and Part of Corpus Christi College

1811

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

Print made by Samuel Rawle, 1771–1860

South West View of Dunster Castle, Somersetshire

1800

Print made by Thomas Tagg, died 1809

Bristol

1796

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by James Walker, 1748–1808

Ely

1797

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by James S. Storer, 1771–1853

Birmingham

1795

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by William Faithorne, ca. 1620–1691

Henry More

1675

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1828

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Le Davis, active 1671–1691

Catherine of Braganza

1682

Print made by George Presbury, active 1840

Runjeet Singh and His Suwarree, or Cavalcade of Seiks

1837

Print made by François-Louis Couché, 1782–1849

Le Banyan, Rives du Gange; Pondichéry

1835

Print made by William Hogarth, 1697–1764

Paul Before Felix Burlesqued

1751

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiæ, Apollo and the Sibyl

1873

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

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Materials & Techniques line engraving

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