Materials & Techniques: line engraving / Creator Gender: male / Subject Terms: ruins

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

William Elliot, active 1774, died 1792

Kilgarren Castle, South Wales

1765

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832

Print made by William Woollett, 1735–1785

Solitude

1778

Christian Friedrich Duttenhoffer, 1778–1846

Solitude

1802

James Mason, 1710–1783

Pembroke Town and Castle

1775

Henry Griffiths, 1835–1849

Inverlochy Castle, Invernesshire

1836

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Thomas Tagg, died 1809

Flint

1795

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by John Walker, active 1792–1803

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808

Elgin Cathedral, Morayshire

1797

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Le Keux, 1783–1846

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Robert William Billings, 1813–1874

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James C. Allen, active 1821–1831

Aldborough

1819-1826

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by William Forrest, 1802–1889

Smailholm Tower

1836

Print made by James H. Kernot, 1802–1858

Jumma Musjid, Mandoo

1834

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiæ, Apollo and the Sibyl

1873

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1828

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Materials & Techniques line engraving

Creator Gender male

Subject Terms ruins

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Materials & Techniques line engraving

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