Materials & Techniques: line engraving / Creator Gender: male / Width [cm]: 36

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

Print made by William Blake, 1757–1827

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

1827

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1824

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1824

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Gerard Edelinck, 1640–1707

Édouard Colbert, Marquis de Villacerf

1696

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford

1828

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Print made by unknown artist

Arch of Septimus Severus

1546-1590

Francesco Bartolozzi, 1728–1815

Edward Lord Thurlow

1782

Bartholomew Howlett, 1767–1827

North Front of Bedford House, Bloomsbury Square

1822

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by William Miller, 1796–1882

Straits of Dover

1828

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Print made by Robert Wallis, 1794–1878

On the Thames

1875

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, 1743–after 1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Remi Parr, 1743–after 1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Print made by William Kentridge, born 1955

Study for ‘Atlas Procession'

2000

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Print made by Jacobus Houbraken, 1698–1780

Joseph Addison

1748

Print made by Paulus Pontius, 1603–1658

Frederico Henrico D.G

between 1630 and 1645

Francesco Bartolozzi, 1728–1815

John Ash M.D

ca.1791

Print made by Jacobus Houbraken, 1698–1780

Thomas Wentworth, 1st Earl of Strafford

1740

Print made by William Thomas Fry, 1789–1843

James Currie, M.D. F.R.S

1816

Print made by John Samuel Agar, ca. 1773–1858

George, Earl of Egremont

1810

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Materials & Techniques line engraving

Creator Gender male

Width [cm] 36

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Materials & Techniques line engraving

Creator Gender male

Width [cm] 36

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